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September 22, 2026
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EVA Copenhagen 2018 - Politics of the Machines - Art and After

Copenhagen : BCS, The Chartered Institute for IT, 2018.

EVA Copenhagen is a conference focusing on digital arts and culture, which is part of the international ‘Electronic Visualisation & the Arts’ (EVA) network. The conference will bring together artists and academics working in a broad range of fields related to digital arts. Organised in partnership between Aalborg University (Aalborg, Copenhagen) and Dias: Digital Interactive Art Space (Copenhagen), the conference will host an exhibition of digital artworks, while also presenting a programme of academic papers. In doing so, we aim to bring together practitioners and academics working in digital arts, providing valuable opportunities for the exchange of knowledge, networking, and showcasing of innovative work at the frontiers of digital culture.

The POM - Politics of Machines conference series was co-founded by Laura Beloff and Morten Søndergaard. The first edition, Politics of Machines: Art and After was hosted by Aalborg University Copenhagen 15-17 May, 2018, and organized in collaboration with the IT-University of Copenhagen. Furthermore, the POM2018 was realized in collaboration with the EVA-London conference series and the British Computer Society under the name EVA-Copenhagen, or EVA/POM2018.

With more than 100 speakers selected from nearly 220 submissions, the conference consisted of 10 thematic tracks, an exhibition of art projects, performances and student work by Erasmus Master in Media Arts Cultures’ students. It also hosted a Ph.D. workshop organised in collaboration with POM, IT-University and CATCH - Centre for Art and Technology.

One of the aims of the conference, worth of mentioning, was to foster also a dialogue between academic and non-academic researchers. This was achieved by providing a quota of free-registrations for people without academic affiliation and funding.

Chapters
I Feel You: What makes algorithmic experience personal?
Yamshchikov I. P., Tikhonov A., , in: EVA Copenhagen 2018 - Politics of the Machines - Art and After.: Copenhagen: BCS, The Chartered Institute for IT, 2018. P. 1–6.
Since artificial neural networks are excelling in stylization of visual, textual and acoustic objects, we discuss the potential of such technologies in context of human-to-machine interactions in general and in an artistic context specifically. We discuss a paradigm of an uncanny-valley that was originally proposed for human-robot interaction and look at it at a new ...
Added: April 7, 2021
Priority areas: humanitarian IT and mathematics
Language: English
DOI
Text on another site
Keywords: computational creativity
EVA Copenhagen 2018 - Politics of the Machines - Art and After
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