«Техники видения» после наблюдателя

Международный журнал исследований культуры. 2018. № 2. С. 240–250.

Sosna N.

The article focuses on problematic of vision in the circumstances of the growing impact of media and technology. Discussing, on the one hand, the separation from the phenomenological approach to vision and visible, based on such categories as image, imagination, which were endowed with fundamental importance and did not use the category of technical, and on the other hand, the classical studies of certain visual dispositives, such as J. Crary's, it advances to the theories, considering the so-called "media convergence" (Miller, H. Jenkins), which try to justify the specific character of new visual objects on the ground of their complexity and multilevel nature of the media themselves. The author comes then to the problems of the role of the visual in science and technology studies (STS), which at first glance seems to put visuality behind the brackets of consideration. However, the conclusion is that these latter also use the category of visible but transformed. Some terms are also proposed to describe these processes.

Keywords: исследования науки и технологий (STS), visual analysis, Digital Media, entanglement, медиавизуальный поворот, Science and Technology Studies (STS), сцепление