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News
June 25, 2026
HSE Researchers Make Aldehydes Perform Dual Function
Chemists from HSE University have discovered a way to carry out a reductive addition reaction without using an external reducing agent. Instead, the required 'resource' is supplied by the aldehyde itself, one of the reaction participants. This approach helps prevent unwanted side reactions, reduces toxicity, and simplifies the production and synthesis of organic molecules, including those used in the manufacture of medicines. The study has been published in Journal of Catalysis.
June 25, 2026
HSE Scientists Explain Why Findings in Autism Research Differ
Researchers from the Cognitive Health and Intelligence Centre at HSE University conducted the first-ever systematic review of studies on the specifics of emotion-from-motion perception in autism. The review showed that differences found between autistic and non-autistic individuals are largely associated with the experimental design and the types of tasks given to study participants. The review findings have been published in Research in Autism.
June 22, 2026
‘In Science, You Are Your Own Boss
Polina Nasledskova is interested in identifying gaps in linguistics and topics that have been overlooked by other researchers. In an interview for the  Young Scientists of HSE University project, she spoke about rare ordinal numerals in Nakh-Daghestanian languages, the benefits of knitting for concentration, and the beauty of the Patriarshy Bridge.

 

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Цензура в китайских сериалах как фактор зрительской интерпретации

Вестник Российского университета дружбы народов. Серия: Литературоведение, журналистика. 2026. Т. 31. № 2.
Nim E., Болдырева Д. И.
In press

This article examines the audience reception of Chinese television dramas, which have been gaining popularity in Russia. The production of Chinese TV dramas requires compliance with state censorship, which largely determines the final version of the media product. Under conditions of uncertainty and limited transparency regarding regulatory requirements, audiences of C-dramas develop their own understandings of the nature of restrictions and the outcomes of censorship interventions. The aim of this study is to identify the characteristics of audience reception of Chinese television dramas in relation to censorship. The analysis focuses on three research questions: how VKontakte fan communities dedicated to Chinese dramas construct audience knowledge about censorship; how viewers conceptualize restrictions in C-dramas and interpret the shows in light of this knowledge; and how Russian fans of C-dramas perceive the regulation of television drama content in China. The study employs qualitative thematic analysis of 465 posts and comments published in VKontakte communities devoted to Chinese dramas. The analysis identifies key features of Russian viewers’ perceptions of censorship in Chinese television dramas, including practices of sharing information about censorship, expectations of regulatory intervention, assumptions about taboo topics, and attitudes toward censorship. The findings demonstrate that many C-drama fans are not only aware of censorship but also incorporate it into their interpretive practices, developing a particular mode of reception that we term “censorship sensitivity”.

Research target: Media and Communications
Language: Russian
Keywords: цензураcensorshipVkontakteтематический анализВКонтактеthematic analysisChinese television dramasRussian C-drama audiencesaudience receptioncensorship sensitivityкитайские сериалыроссийская аудитория С-драмзрительская рецепцияцензурная чувствительность
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