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Как сделан советский киносценарий 1920-х годов
Гл. 27. С. 270–277.
Levchenko J.
The paper is dealt with theory and practice of screenplay elaborated within the conceptual framework of Russian Formalist School in Humanities, in particular with the legacy of Yuri Tynjanov.
Ponomarenko I., В кн.: Логос: Голос конструктивизма. Каталог выставки.: М.: Центр Зотов конструктивное пространство, 2023. С. 104–115.
Статья рассматривает феномен советской конструктивистской книги в контексте технического развития типографий, институционального устройства издательств и самоидентификации художников в 1920-е гг. Социально-исторические аспекты сопряжены с идеологической основой стиля и принципами художественных приемов конструктивизма. ...
Added: January 12, 2024
Огудов С. А., Вестник Санкт-Петербургского университета. Язык и литература 2022 Т. 19 № 3 С. 559–574
This article examines the interpretation of Alexander Rzheshevsky’s screenplay Bezhin Meadow by Sergey Eisenstein. Comparison of different versions of the script reveals the emergence of the film’s conception and changes of the narrative made during the transition from the screenplay to the shooting script. Special attention was given to Eisenstein’s interpretation of the three key ...
Added: December 22, 2023
Огудов С. А., Критика и семиотика 2021 № 1 С. 383–402
The article is devoted to the narratological analysis of a screenplay. A distance between a narrator and a story world that constitutes a narrative is studied in regard to a conception of screenplay not as an autonomous literary work but as a series of texts corresponding to various stages of preparation for a film shooting ...
Added: December 22, 2023
Огудов С. А., Зборник Матице српске за славистику 2019 Т. 95 С. 153–163
In the script "How are you?", which should be seen as the main text for understanding Mayakovsky’s work on scripts, we can find many permanent motives for his creative work. Regardless of the strict framework of the “iron script”, which was dictated by the demands of the cinematic industry, the degree of importance of this ...
Added: December 21, 2023
К проблеме мимесиса в нарратологии: визуальные аттракторы в советском киносценарии 1920-1930-х годов
Огудов С. А., Новое литературное обозрение 2020 № 163 С. 134–144
In the present article the dual nature of a screenplay — which is both a narrated story and an instruction for a filmmaker who brings these events to a screen — is considered in relation to two types of communication, the semiotic and the mimetic. If semiotic communication is based on the interpretation of sign ...
Added: December 21, 2023
Нарративная скорость в советском киносценарии 1920-х годов: «Броненосец “Потёмкин”» С.М. Эйзенштейна
Огудов С. А., Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe 2019 № 9 Статья 2
The present article analyses the notion of narrative speedin a screenplay, which we define through the distinction between story time and narrative time. Since any narrative implies the convey of an event experience, based on comprehension of temporal changes, the narrative speed not only allows the differentiation of the levels of text, but also correlates ...
Added: December 21, 2023
Огудов С. А., Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология» 2019 № 5 С. 113–128
The complexity of staging the emotional scenario, coinciding in its appearance with the crisis of montage in silent cinema, inclines film directors to creative experiments. The film “The Simple Case” was based on Rzheshevskii’s script and went down in history as a creative failure of Pudovkin and his plan was left largely unrealized for different ...
Added: December 21, 2023
Огудов С. А., Новое литературное обозрение 2023 № 179 С. 161–172
This article is dedicated to the study of instances of readers in The Great Consoler, the screenplay by Lev Kuleshov and Aleksandr Kurs. Special attention is given to the figure of the fictional reader, whose activity is defined as a mimesis of reading in which reflection is not separated from character’s bodily reactions. Also discussed ...
Added: December 19, 2023
Malich K., Печенкин И. Е., Вяземцева А. Г., М.: Кучково Поле Музеон, 2023.
The monograph is based on papers presented at the conference organized by Scientific Research Institute of Theory and History of Architecture and Urban Planning and held in the Central House of Architect in Moscow in September 15–16, 2021. The conference, dedicated to the 130th anniversary of the birth of Boris Mikhailovich Iofan, thematically went beyond the discussion of ...
Added: July 13, 2023
Korsunava V., Olesya Volchenko, Poetics 2023 Vol. 97 Article 101778
This paper analyses the film industry as a social phenomenon through the lens of revised modernisation theory. Revised modernisation theory implies that economic development leads to value shift which eventually results in the spread of more liberal social attitudes, including the greater acceptance of sexual freedoms, gender equality, and overall tolerance. These changes penetrate all ...
Added: April 10, 2023
Pavlov A., М.: Издательский дом «Дело» РАНХиГС, 2020.
This book, on the one hand, is not philosophical, on the other exclusively philosophical. It can be viewed as a research work, but within a certain conceptual framework. The author tried to understand Tarantino's universe as the director understands it, and turned to the genre originality of Tarantino films to prove its uniqueness. The author ...
Added: October 7, 2020
Malich K., СПб.: Издательство Европейского университета в Санкт-Петербурге, 2020.
The book is dedicated to the Leningrad architect Nikolai Alexandrovich Miturich (1891–1973), whose work has so far remained virtually unexplored in Russian historiography. His long and incredibly rich creative career will be a discovery for anyone interested in Russian art of the first half of the 20th century. Miturich took part in the most important ...
Added: June 25, 2020
Kozitskaya Y., В кн.: Литература и искусство. Век ХХВып. 5.: Литфакт, 2020. С. 147–156.
В статье речь идет о том, как в русском дореволюционном кино формировался образ Востока. ...
Added: November 30, 2019
Shteynman M. A., Искусство кино 2018 № 9/10
Статья посвящена киносаге Дж. Лукаса "Звездные войны". Фильмы рассматриваются с позиции теории коммуникации, социокультурных и литературных архетипов, а также политической мифологии. ...
Added: November 25, 2019
Magera Y., Искусство кино 2019 № 5/6 С. 229–237
Japanese culture is famous for unique folklore, where monsters called yokai have become very popular. The visual appearance of many yokai occurred in the Edo period (1603-1868) and came to us thanks to the books printed by woodblock printing. The irrepressible imagination of Japanese artists of that time gave rise to amazing creatures, who continue ...
Added: June 23, 2019
Kompatsiaris P., , in: The Films of Aki Kaurismäki: Ludic Engagements.: Bloomsbury, 2018. Ch. 6 P. 101–116.
It is a life-style and a resident representation in the middle of the world. Rather than pursuing a rationally calculated career goal; humility, compassion, solidarity and an underdog eccentricity. It is not necessary to rely on the spontaneity, solidarity, counterintuitiveness, musicality and poiting. ...
Added: April 3, 2019