?
Особенности ритмики четырехстопного ямба Сергея Антоновича Клычкова
The article presents a comprehensive study of the metric repertoire and rhythmic structure in the poetry of Sergey Antonovich Klychkov. Analysis of the corpus of the author's surviving texts reveals his most frequently used meter – the iambic tetrameter, which constitutes 21% of his total poetic repertoire. The study offers the first attempt at a systematic comparative analysis of Klychkov's iambic texts, carried out using the innovative digital analytical platform "Prozimetron". The platform's interface allows for a highly precise examination of the evolution of the rhythmic structure in Klychkov's texts, as well as a targeted comparison of Klychkov's rhythm with those of other authors of the 19th and 20th centuries, such as A. Pushkin, A. Koltsov, S. Esenin, N. Klyuev, A. Bely, and others. Particular attention is paid to the dynamics of changes in rhythmic profiles and specific syllable combinations across the author's various collections and poetic cycles. This approach makes it possible not only to identify individual rhythmic changes in specific texts but also to trace the complete evolutionary path of Klychkov's iambic tetrameter. In conclusion, based on the data obtained, the study suggests possible avenues of influence from other poetic schools and authors on the rhythmic features of Klychkov's iambic tetrameter.