Публичная история: между академическим исследованием и практикой
The article analyses the emergence of public history in different countries as a communication space for both academic historians and non-academic groups engaged in the practices associated with the past. The Russian trajectory of public history is mainly addressed through a description and analysis of university programmes in public history. The conference “The Past Is A Foreign Country? Public History in Russia” held by Public History Laboratory in June 2016, as well as the articles comprising the following thematic series, are viewed from the given perspective.
An emergence of China as a new center of power causes hot debates about its possible positive and negative impacts on the system of international relations. In an attempt to explain the present and predict what is awaiting the world in the future, the humankind traditionally refers to the history. Meanwhile, in the age of new media and a rapid development of technologies this branch of knowledge inevitably undergoes changes, for example, the role played by public history is gradually increasing. For China, which focuses on soft power and the country image in the international arena, this aspect is very important, although for many centuries there is already a quite special, different from Western worldviews, relation to the history in the Chinese society. Obviously, there is a need to explore and subject to comprehensive analysis a number of features that characterize a process of a formation of Chinese historical narratives.
The author explores the correspondence between the system of political views and values and the system of stylistic means used in public communication. On a material of public images of the Russian politicians this article suggests possible methods of assessment of compliance between the chosen rhetoric and declared political tasks and goals.
The paper deals with the creative works of an outstanding German philosopher-anthropologist Helmut Plessner. He addresses to an existential structure of individuality as to a social existence and considers it as the carrier of roles. He proves that social identification is based on the idea of the person possessing a social role, but not defined by it. Plessner starts with the idea of a duality of the role relation in which the performer identifies himself. Such identification appears as the only condition in the basic relation of a social role and a human nature. On this basis in the structure of duality of the human existence, a role connecting the carrier and its figure, Plessner finds a constant of sociality. Plessner addresses to an ontologic structure of the person, an eccentric pozitionality, within social subject and defines it as “duality structure in which the carrier of a role and a figure of a role are connected”. Plessner believes that what we find exactly in this structure is "a constant" which is the condition of “human generalization”, and considers it in a quality of “the unique constant in the basic relation of a social role and a human nature”.
Formation of democratic societies of the Western type presupposes appearance on the historical scene of a new strong actor - the bourgeois class: "No bourgeoisie, no democracy" (Barrington Moore). The articulation and defense of vital interests of that class creates a new social space - "the bourgeois public sphere" which helps to make up "counterbalance" to absolutism of a corporate state - a civil society, the core of which is composed by public opinion. In the confrontation between the authorities and society one of the most important roles is played by the press that provides free debate and discussion of generally valid problems, especially economic and political. The recognition of the mass media role was stamped in its characterization in XIII century as "the fourth power". Technological development of the media incredibly expanded its functions, turning journalists into creating informational analogue of reality, saturating daily life with new meanings. Methods of the representation of reality, the specific nature of political influence of journalists - key members of the reflexive elites (Helmut Shelski), are the themes of this article.
Публичная сфера, журналистика, четвертая власть, порядки знания, Повседневность, научное и повседневное знание, экспертиза, Репрезентация, public sphere, journalism, fourth estate, orders of knowledge, Everyday life, scientific and everyday knowledge, Expertise, representation
According to the given article the main basis of the present political regime’s legitimacy in Russia seems to be the absence of institutionalized citizen’s communication across differences. In the absence of effective political competition and social critically media there is not public communication. This, in turn, does not generate the collective form of political change’s internalization. A consequence is the private character of political preference formation which rationality is aimed not at improvement of own political knowledge, but on improvement of own material welfare. For this reason the public sphere institutions/political communication institutions are devaluated as a basis of preference formation in the opinion of most citizens. The exclusion of the democratic institutions from possible ways to improve one’s personal situation does not conflict with interventions of the authoritarianism.
The recent history of post-Soviet societies is often described in terms of the transition metaphor. Images of movement as well as changing places and situations were foundational for the social conceptualization of the new nations. The idea of looking for novelty and new beginnings legitimized the dissolution of the USSR as well as many state- and economy-related experiments. This volume describes how the new societies survived this period of regime change, economic crises, internal wars, political drawbacks, and social innovations, and how they are making sense of it. The volume’s contributors include Russian, Ukrainian, and German scholars who analyze political, social, and cultural ideologies: Natalia Koulinka, Kostiantyn Fedorenko, Pavel Skigin, Jesko Schmoller, Valentyna Kyselova, Anton Avksentiev, Chris Monday, Egor Isaev, Oleksandr Zabirko, Sergiy Kurbatov, Alla Marchenko, Jennifer J. Carroll, Daria Goriacheva, and Darya Malyutina.