The article is concerned with the study of a number of illustrated books of World War I ("the Great War documents") which were edited by the right wing Weimar intellectual Ernst Junger. It is his concept of the Total Mobilization which allows me to demonstrate a genetic connection between photography and cinema as "modern mass-media" and the phaenomenon of a technical war. For Junger a technical war and technology in general are the art and way, in which the figure of The Worker is mobilizing the world and aims for a global dominance. Thus the illustrated books of the Great War appear as documents of a global transformation and indicate a new heroic experience of a modern technical reality comparable with films of Dziga Vertov, Leni Riefenstahl or Fritz Lang.
In 2006, Russia amended its competition law and added the concepts of ‘collective dominance’ and its abuse. This was seen as an attempt to address the common problem of ‘conscious parallelism’ among firms in concentrated industries. Critics feared that the enforcement of this provision would become tantamount to government regulation of prices. In this paper we examine the enforcement experience to date, looking especially closely at sanctions imposed on firms in the oil industry. Some difficulties and complications experienced in enforcement are analysed, and some alternative strategies for addressing anticompetitive behaviour in concentrated industries discussed.