The article discusses the most recent trends in the development of the English progressive. A corpus-based approach to linguistic research is seen as an effective means of determining reliability of the data retrieved and helps track the major diachronic dynamic in the increasing frequency of the progressive aspect that has taken place since the beginning of the 20th century. The article specifically deals with the extension of the progressive to new constructions, such as modal, present perfect and past perfect passive progressive, and also accounts for the use of progressive forms in the contextual environment not generally characteristic of them.
The most effective conditions for language learning in general and grammar in particular, come about when students engage in activities on a personal level.
The linguistic situation of modern Italy is characterized by presence of many dialects that often have an old literary tradition and are still vital. Regional dialects are constantly interacting with the national Italian language and even the standard Italian that the majority of Italians speak has some regional characteristics. Foreign students normally study the standard Italian used by mass media. However, studying this standard language they don't embrace the true Italian language reality. Therefore, it seems advisable to include in study program elements of country specific studies that give a wider perspective on the varieties of Italian.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.