Философия о власти искусства: Платон, Беньямин, Хайдеггер, Деррида
The paper offers a review of positions held by prominent philosophers (Plato, Benjamin, Heidegger, Derrida) regarding the power of art. In spite of the essential differences between their approaches to art those thinkers displayed interest in the same questions and problems. That helps to reassess Plato’s harsh criticism of art, which turns out to be a fairly typical philosophical way of dealing with art. In an imaginary conversation with the contemporary thinkers Plato stands out, as he is aware of mission and influence of art in human life and intends his own philosophy to be politically responsible poetry.
The paper offers an interpretation of Plato’s dialogue Gorgias in the context of post- Nietzschean political thought (M. Heidegger, L. Strauss, H. Arendt, G. Deleuze, M. Foucault). Each interlocutor of the dialogue claims that his speech is free. Two different political logics are introduced: «geometrical» (as in the conversation between Socrates and Polus) and «erotic» (as in the conversation between Socrates and Kallikles). The philosopher is able to make use of both languages. In the end, it is only Socrates who truly speaks freely, because philosophy doesn’t seek to be loyal to any of these two logics as it only aspires to solve a political collision between freedom and justice.
This article is devoted to conceptual translation of the terms "transcendence" and, connected with the former, "symbol". Difficulties which appear in the translation of those concepts into the language of contemporary culture are due to the fact that the terms are descriptive, not explanatory. This indicates a special type of ontology, that refers to Plato. Symbol, which is at the same time transcendent and immanent, will be analyzed through the examples of Merab Mamardashvili's philosophy and Andrey Tarkovsky's films. Their understanding of symbol is linked to Pavel Florensky's philosophy of art and Pseudo-Dionysius's theology of symbol.
In many organizations implementation of innovation is initiated by the management with application of so-cold “top-down” approach: strategic targets and key success factors with the initiatives of its achieving are formed and consolidated in different regulations, procedures, rules and instructions, which are brought to concrete employees later. The feedback from employees is occurred on the fact of initiative execution in form of corrective procedures locally, but the forming of innovation is still the top-management prerogative.
Such centric approach is mostly demotivating approach for initiative employees, who generate, implement and use innovation ideas. For this problem correction hybrid methods are used. The creation of special department inside the company is supposed to be done. It bears duties of innovation catalyst (usually R&D and HR departments have this role). Among other things this department is responsible for inspiration of average executive on development of innovation, determination and consolidation of corporate values and standards of behavior. In the end, the employees orientation on single corporate targets, the increase of corporate spirit would again “top-down” imposed and the department is just the retransmitter of values that are determined by the management.
How should the politics of relations between colleagues, clients and partners be naturally created and how to establish the awareness by the company employees of their personal responsibility and their personal role in corporate values realization, creation of innovation atmosphere inside the organization that does not resist the innovation? The approach, which is described in this article, supposes the forming of distributed network inside the organization with the transfer to it the general effort in the sphere of creating innovations and implementing the corporate ethics principals.
The article is based on the introductory part of the collection on “Material Culture and Technology in Everyday Life: Ethnographic Approaches” (2009). The author presents a brief review of concepts that have been lately employed in research on material or technological culture. He attempts to show that different disciplines do in fact use adjacent notions and concepts in thinking about materiality, and tries to delineate ways of bringing the different research traditions to a unified platform that could serve as a theoretical foundation for the complex materialistic study of technological culture.
This volume approaches the 'Socratic question' from a viewpoint that departs radically from mainstream lines of interpretation. The focus is not on the 'formal order' of the Socratics, that is on their subdivision in 'schools' and the 'doctrines' peculiar to each, but on the theoretical issues that these thinkers were able to develop in the fierce struggle among themselves. This collection features the revised versions of the papers presented at 'Socratica III - a conference on Socrates, the Socratics, and the ancient Socratic literature'. This conference is the latest of a series of Socratica symposia, previously held in Senigallia (2005) and Naples (2008), which were devoted to the developments of the research on the complex world serving as a context for Plato and his dialogues. This volume approaches the 'Socratic question' from a viewpoint that departs radically from mainstream lines of interpretation. The focus is not on the 'formal order' of the Socratics, that is on their subdivision in 'schools' and the 'doctrines' peculiar to each, but on the theoretical issues that these thinkers were able to develop in the fierce struggle among themselves. The papers dwell on the dynamic context in which these issues were posed, discussed, and eventually fixed in dogmatic theories within the philosophical and non-philosophical Greek literature of the V and IV centuries B.C. Following topics are examined: 1. the 'intellectual movement' around Socrates, i.e. Aristophanes and Comedy, Isocrates, Antisthenes, Chaerephon, Aeschines, Plato, and Xenophon; 2. the literary context in which the texts of the Socratics are framed; 3. major topics discussed within this movement, and their development within and outside the Socratic circle (apologetics, dialectics, politics, misology, eudaimonia, eusebeia, Eros, enthousiasmos, parrhesia, protreptics, spoudaiogeloion, epistemology and teleology); the reception of these issues in Late Antiquity, from Aristotle up to the Stoic, Neoplatonic and Arab traditions; 4. the state of the art of the 'Socratic question', and reviews of the major publications that appeared on Socrates and the Socratics between 2010 and 2011 (D. Morrison's Companion, L.-A. Dorion's and F. Bevilacqua's editions of the Memorabilia, and V. Gray's works on Xenophon and G. Danzig's book on the apologetic side of the earlier Socratic literature).
The paper deals with the political sense of the dialectical method of Plato. Dialectics is often understood as a pure logical procedure. However the two forms of the dialectical discourse (mentioned in the “Phaedrus”) must be interpreted politically: the first one is a movement of freedom, the second one is a movement of justice. The paper offers a comparison of different conception of dialectics by Plato, Aristotle, Hegel, and Paul Ricoeur.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.