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Текст как сцена: теория эпического театра Б. Брехта и художественный текст Э. Елинек (на материале пьес Б. Брехта и романа Э. Елинек «Пианистка»)

In the article the elements of the epic theatre (a theory by German playwright B. Brecht) in the novel by E. Jelinek “The Piano Teacher” are analyzed. The author studies two aspects of this question: the figure of the narrator in the text and the phenomenon of materialization as realizing of alienation effect – one of the most important elements of the epic theatre. The research is based on comparative analysis of lexical, syntactical and stylistic peculiarities in Brecht’s plays and in the Austrian writer’s novel. The result of this research is the conclusion that the text of the novel has some features of B. Brecht’s play and the novel by E. Jelinek is an example of “dramatization” of a prosaic text.