Картина Достоевского и панорама Толстого: к истории одной параллели у Вяч. Иванова и Андре Жида
The article deals with the pictorial analogy used in V. Ivanov and André Gide’s works on Dostoevsky. According to the analogy, the artistic technique of Tolstoy can be associated with the diffused light, while the one of Dostoevsky — with the art of chiaroscuro. We are trying to understand if Gide could have been familiar with the work by Ivanov; what historical, literary and art history works could have served as a common source for this analogy, and how the analogy functions in the works by the two authors.