Глаголы падения в английском языке: данные корпусов и типология
The article deals with the semantics of English adjectives ‘blind’ and ‘deaf’ within a broader typological project. We analyze the main classes of their literal uses, as well as the patterns of metonymical and metaphorical shifts. Some morpho-syntactic properties of these two lexemes are also considered. The discussion touches upon the contribution of our data to a theoretical discussion on how different perception types are hierarchically structured by human language.
The article deals, in a typological perspective, with verbs describing sounds of inanimate objects (cf. the noise of a door being opened, of coins in somebody’s pocket, of a river, etc.). The analysis is based on the data from four languages (Russian, German, Komi-Zyrjan, Khanty), which were obtained from dictionaries, corpora and field investigation. We discuss, first, the primary meanings of these verbs and identify the parameters that underlie semantic distinctions between them (type of sound source and its features, type of situation causing the emission of a sound, acoustic properties of sounds). Then we consider the derived meanings of sound verbs, which are developed through metonymic and metaphoric shifts and analyze the mechanisms behind each of these shifts. Finally, we examine a type of semantic change in our data which cannot be explained in terms of either of those mechanisms and hence represents a separate kind of meaning shift.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.