"Меня не выбросят за борт надежен поэм моих щит" (Рец. на книгу Гнедов Вас."Сама поэзия": Стихотворения. М.: Циолковский, 2018.
Review of the most complete collection of works by Vasilisk Gnedov.
The article examines the circumstances of the publication of a collection of selected poems by Rurik Ivnev in 1965. The concept of collection, produced with critic K. L. Zelinsky, continues the poet’s autorepresentation strategies in the 1910s – 1920s.
Apart from some characteristics of Kondratov’s poetics (“systematicity”, to a degree the use of principles of “serial art”), and his place in the tradition of the Russian Avant-garde (Futurists, Oberiu, Neo-Futurists), the author primarily discusses an important feature of Aleksandr Kondratov’s works – (the tendency towards) “zero” and “empty” texts. These are linked to Buddhist principles and to works by such predecessors as Vasilisk Gnedov and Ivan Ignatiev, and his contemporary Ry Nikonova. The article discusses and introduces some aspects of works by Kondratov published in the present issue, notably with regard to typographical particularities.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.