The Soviet Writer Konstantin Vaginov: From Poetics to Subjectivity
This article examines the prose of Konstantin Vaginov (1899–1934) through the prism of the theory of Soviet subjectivity. It analyzes four of Vaginov's novels (Goat Song, Works and Days of Svistonov, Bambocciada, and Harpagoniana) as examples of discursive praxis in the context of the creation of the “new Soviet person.” In each novel, Vaginov combines elements of both modernist and Soviet literature, but the authorial position invariably remains contradictory. This allows us to draw conclusions about the paradoxical evolution of the writer's own subjectivity, while bringing into sharp relief one of the more “successful” examples of the formation of the Soviet “I” in the late 1920s and early 1930s.
The paper presents the results of the study of subjective qualities as a basis for effective development of schoolchildren's abilities in the learning process. The author proposes an approach to the interpretation of the concepts of a subject and subjectivity, outlines approaches to the development of particular models of subjectivity, determining the effectiveness of various activities. The paper presents the model of subjectivity, which is manifested in the development of students' abilities, as well as the results of its empirical testing. The given workmay be of interest both in theoretical and applied aspects. The results of the study are of high relevance to the educational systems aimed at maximum effective development of students, selection and further workwith gifted children.
The article deals with the consideration of the famous film of A.Tarkovskiy in the context of the evolution of the science fiction as a movie genre
The book describes the problem of transition of different structures of literature in the austrian literature.
This article discusses the legend of Saint Alexius from the perspective of the “discovery of the individual,” an issue that for many decades has been intensively debated by historians of European culture.
Academic commentary on three novels by Yuri Koval
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.