Цензурная политика А. С. Шишкова и история пушкинских изданий 1825–1826 годов
The article focuses on the institutional interactions between the literary field and the institutions of the Ministry of Public Education in 1824–1826. In this context, the author explores the editorial and censorial background of the first chapter of Eugene Onegin (1825) and Poems by A. Pushkin (Stikhotvoreniia Alexandra Pushkina, 1826), and argues that Minister Shishkov played a significant role in the emergence of both editions. Moreover, the newly discovered official letter by Shishkov, regarding the unwelcome publication of Pushkin’s Poems at the departmental printing house, allows to clarify the censorial history of one more prominent edition of the period — Eda
and The Feasts (Piry) by E. Baratynskiy (1826).
Collection of reports made at the session of the section «Methods of teaching of art Pushkin» of the International scientific conference «A.S. Pushkin and world culture». It consisted of scientific communications (E.S. Abelyuk, etc.), methodological developments (S.V. Ivanova, etc.), description of principles of the lesson (I.I. Shelapina, etc.).
The article deals with an analysis of the concept of 1812 people’s war as created by the government and political conservatives. The government represented by A.S. Shishkov, secretary of state, and F. Rostopchin, governor of Moscow, wanted to regard the war against Napoleon as the people’s war but was at the same time afraid of possible riots. Ideologically, the consept of the people’s war was also used to justify the serfdom
The annotated list of abbreviations and acronyms used in Russian and Soviet Avant-garde art and art institutions in the first third of the 20th century.
The article considers the history of the legal newspaper Pravo and its censorship history. The newspaper was an influential Russian liberal periodical of the early 20th century. It was published without pre-censorship but underwent pressure from the Ministry of Internal Affairs, received administrative warnings for its “harmful direction” and was on the verge of administrative closure. Pravo published articles about the state of Russian legislation, government administration and the court system, giving special attention to press legislation. It criticized the censorship system in Russia for administrative arbitrariness and advocated freedom of the press based on the rule of law. The history of censorship against the newspaper itself is indicative of the arbitrary character of Russian law on freedom of the press.
The article is dedicated to the reflection of the Finnish war (1808–1809) in poetry and press of the first third of the XIX century and to the participation of Russian literature in the construction of the narrative of the Finnish war. I observe the simultaneous ideological shaping of the campaign in the Russian printed materials, the acceptance of the war by its participants and their younger contemporaries, and then look at the reflection of these images and ideological constructs in the poem “Eda” by E. Baratynsky. Comparing synchronic literary responses to the Finnish campaign and interpretations of it offered in the press to that which we find in Baratynsky’s text and similar statements on the Finnish War, we get a more vivid picture of the essential rhetorical and conceptual breakdown that occurred in the late 1800s – early 1810s in conceptualizing the fate of the empire’s peoples.
Collection of essays and articles concerning Pushkin and his time.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.