Конкуренция и взаимодействие языков: социолингвистический подход
«Bankruptcy» Concept Within the Legal Linguistics Coordinates: Russian–English–French Approximations
The article addresses the notion of bankruptcy as perceived by speakers of current Russian, English and French languages both lawyers and participants in professional communication from other trades. Semantic structure of the term is identified based on its lexicographic and regulatory definitions.
In many languages of the world, the forms in the irrealis domain (subjunctive, conjunctive, conditional) are also used in complement clauses. The set of verbs that require subjunctive complementation is similar but not identical across languages. The paper identifies Russian verbs licensing subjunctive in complement clauses, either as the only option or as an alternative to the indicative. Basing on the Russian National Corpus, a list of these predicates is compiled, with relative frequencies of subjunctive vs. indicative for each predicate. The main result of the study is distinguishing two types of subjunctive complement clauses. Most predicates belong to the group which is similar to purpose clauses with чтобы, both semantically and syntactically. The subject of the main predicate is involved in the situation described by the subordinate clause by wishing it to be realized, by intention, or causal relations. The second, minor group includes epistemic uses of чтобы with e.g. сомневаться and other predicates in the context of negation, interrogation and other constructions expressing low probability.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.