Корпусное исследование инфинитивных конструкций в лезгинском языке
Four electronic corpora created in 2011 within the framework of the “Corpus Linguistics: the Albanian, Kalmyk, Lezgian, and Ossetic Languages” Program of Fundamental Research of the RAS are presented. The interface and functionalities of these corpora are described, engineering problems to be solved in their creation are elucidated, and the promises of their development are discussed. A particular emphasis is made on the compilation of dictionaries and automatic grammatical markup of the corpora.
The paper examines semantic and morphosyntactic features of coding of actants of two-place predicates of various types in Standard Lezgian
Though the Russian infinitive is a non-finite form, it is frequently used independently, with or without the subjunctive particle by. This paper is an attempt to answer the question whether independent infinitival constructions should be considered as a result of insubordination (the term by Nicholas Evans). Basing on the data from Russian National Corpus, two semantic types of infinitival constructions are isolated. One may be referred to as evaluative infinitive (Emu by ostat'sja odnomu ‘It’s better if he stays alone’). The second construction may be called counterfactual non-evaluative infinitive (Ne minovat' by emu tjur'my, no pomogli rodstvenniki ‘He had all chances to go to prison, but his relatives helped him out’). Comparing these constructions with infinitival conditional clauses shows that the evaluative infinitive is a result of insubordination of the protasis of conditional clause, while the semantics of the non-evaluative counterfactual infinitive is a simple sum of the meanings of the infinitive and subjunctive categories.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.