Andrei Platonow und Kino
The paper is focuses on Andrey Platonov's screenplays and on screen versions of his prose. Platonov wrote both for silent cinema and for talkies. The thesis statement of the manuscript is that silent cinema aesthetics is closer to Platonov's sophisticated style. The most successful screenversions are strongly connected with it.
By depicting the Nevsky prosprect cinema palaces the article explores early history of the Russian movie theatres. At the beginning of the century film production and cinemas were connected tightly and lived a single life. Thus it is argued that the study of early cinemas is not only study of local lore, but first of all of the history of cinema.
Articles on Russian literature and the history of the Soviet period; memoirs; first published archival materials
This article is dedicated to the first Russian film journal, Sine-Fono, which was published from 1907 to 1918. Sine-Fono was a leading periodical for more than ten years and it played a crucial role in the pre-Revolutionary cinematic process. The journal Sine-Fono is interesting not only as a key fact of the history of early Russian cinema, but also as an extremely important source for its study: since the overwhelming majority of pre-Revolutionary Russian films have not been preserved, historians must judge this period in Russian film history primarily by means of the film press. The article also describes the fate, both before and after the Revolution, of the founder and constant editor of the journal, Samuil Lur’e.
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected