Аксиологическое содержание раннепифагорейского понимания порядка
A macroevolutionary approach and the new field of Big History seek to develop an inclusive view of the Cosmos, Earth, life and humanity by erasing boundaries between disciplines. Big History is a versatile study that brings together constantly updated information from Astronomy, Physics, Geology, Biology, Chemistry, Anthropology, Psychology and other scientific disciplines, and then merges it with the contemplative realms of Philosophy and the Humanities. Big History evolved from the academic need to transcend the straight-jacket of university disciplines in the early 20th century, beginning with subjects like Biochemistry and Astrophysics (Christian and McNeill 2008; Rodrigue and Stasko 2011).
This article addresses a subject that can in the broadest sense be stated as interplay of language and ideology in process of instantiating historical knowledge in texts of political significance. It is presumed that historical representations are not static; they are flexible and more than prone to distortion when values come into play. A clash of different political perspectives is a clash of different historical descriptions. And in this clash a power-wielding social agent has the power to reinterpret the history that will fit their political narrative with other interpretations outlawed and rendered unhistorical. The aim is to discuss how history is recontextualized in national political discourse in the framework of biased representation of historical f acts and to see how national historical discourse is reinstantiated vis-а-vis a newly acquired national identity. The evidence for this contention is provided through linguistic analysis of a chunk of texts produced by those claiming to be professional historians. An example of such discourse would be texts by Ukrainian historians writing on Great Patriotic War/World War II. Second, texts of public figures, state leaders among them, instantiating post-Soviet geopolitical situation in the Caucasus, in particular, tension between Armenia and Azerbaijan over Nagorny Karabakh were looked into. Linguistic analysis is neither meant to substitute historical analysis, nor claims that all historical permutations are of discursive nature solely. Instead, we see the role of discourse analysis in placing a broader question: To what extent that which has really happened is displaced by its recontextualization in discourse, i.e. by its description?
I develop the idea that there exists a special dimension of depth, or of scale. The depth dimension is physically real and extends from the bottom micro-level to the ultimate macro-level of the Universe. The depth dimension, or the scales axis, complements the standard three spatial dimensions. I discuss the tentative qualities of the depth dimension and the universal arrangement of matter along this dimension. I suggest that all matter in the Universe, at least in the present cosmological epoch, is in joint downward motion along the depth dimension. The joint downward motion manifests itself in the universal contraction of matter. The opposite direction of motion, upward the dimension, would cause the expansion of matter. The contraction of matter is a primary factor, whereas the shrinking of space in the vicinity of matter is a derivative phenomenon. The observed expansion of the Universe is explained by the fact that celestial bodies become smaller due to matter contraction, while the overall space remains predominantly intact. Thus, relative to the contracting material bodies, the total span of cosmic space appears to be becoming vaster. I attempt to explain how the contraction of matter engenders the effect of universal gravity. I use over thirty animated and graphical color visualizations in the text to make the explanation of the proposed ideas more lucid.
The introduction describes the concept in the "hard"and "soft" sciences.
The book describes the concepts of chaos and order in the "hard" and "soft" sciences.
My goal is to conceive how the reality would look like for hypothetical creatures that supposedly perceive on time scales much faster or much slower that of us humans. To attain the goal, I propose modelling in two steps. At step we have to single out a uni“ed parameter that sets time scale of perception. Changing substantially the value of the parameter would mean changing scale. argue that the required parameter is duration of discrete perceptive frames, snapshots, whose sequencing constitutes perceptive process. I show that different standard durations of perceptive frames is the ground for differences in perceptive time scales of various animals. Abnormally changed duration of perceptive frames is the cause of the effect of distorted subjective time observed by humans under some conditions. Now comes step two of the modelling. By inserting some arbitrary duration of a perceptive frame, we set a hypothetical scale and thus emulate viewpoint for virtual observation of the reality in a wider or narrower angle embracing events in time. Like changing lenses of a microscope, viewing reality different temporal scales makes certain features of reality manifested, others veiled. These are, in particular, features of life. If we observe an object in an inappropriate interval, we may not notice the very essence of a process it is undergoing.
In this work the problem of learning and development of creativity with a view to the position of reflexive psychology, akmeology and pedagogics in the context of the human capital analysis in the conditions of modern society globalization is raised. The theme is urgent from the practical point of view in demand of a creative personality under conditions of the economic crisis and at the same time it is actual, because it interprets creativity in a new way according to interdisciplinary approach. The author emphasizes that a reflexively-creative potential is considered to be the backbone factor of professional and innovative activity in modern social space. On basis of philosophical foundations' analysis of psychology of creativity we theoretically build the conceptual model of reflexive creativity and we also examine the precedents of its psychology-pedagogical development in the secondary and high education (in case of reflexive-psycological support).
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.