Сценарий в русском кино 1910-1920-х гг.: к истории вопроса
By depicting the Nevsky prosprect cinema palaces the article explores early history of the Russian movie theatres. At the beginning of the century film production and cinemas were connected tightly and lived a single life. Thus it is argued that the study of early cinemas is not only study of local lore, but first of all of the history of cinema.
The paper is focuses on Andrey Platonov's screenplays and on screen versions of his prose. Platonov wrote both for silent cinema and for talkies. The thesis statement of the manuscript is that silent cinema aesthetics is closer to Platonov's sophisticated style. The most successful screenversions are strongly connected with it.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.