Три творческих лика Александра Кондратова
The authors highlight some aspects of Aleksandr Mikhailovich Kondratov’s (1937- 1993) creative activities. Special attention is given to judgements about Kondratov’s work by Joseph Brodsky, Lev Losev and the scholars V. Al’fonsov and M.L. Gasparov. A survey of Kondratov’s works and plans for their publication – and of a series of both Russian and world literature – drafted by himself, is reproduced here. In addition to a brief assessment of some aspects of his poetics the article provides introductory information about Kondratov’s works published in the present issue.
In this paper we have analyzed the criteria of adequacy and equivalence which are often used for assessing the translation quality. Based on them we have evaluated the translation strategy used by Joseph Brodsky. The analysis is performed based on Brodsky’s works: his early translation of the English poetry into Russian and the translations of his own poems into English (“autotranslations”).
Collection of articles in memory of Academician M. L. Gasparov
Presented here are selected works by A.M. Kondratov from his personal archives, currently kept in the Manuscripts Department of the Russian National Library.
The aticles analizes some ways of the poet's work both with the heritage of the Russian futurism as a whole, and with individual texts by "budetlyan" authors
The article is dedicated functions referencing and footnotes in the poetry of Lev Losev.
The collctin includs Mikhail Gasparov's studies and other materials/
"Designing" the complete works of his own is an important part of Aleksander Kondratov's creations, a neofuturist poet from Leningrad. One of the prospects of his future collection, "My Trinities" makes it possible to restore the poet's concept to create "The Concretions", a volume of concretist texts, which has not been fully implemented. These texts were obviously aimed at the demonstration of the whole paradigm of devices and forms of this trend of experimental poetry that Kondratov knew at the time. Keywords: Aleatory works, Aleksander Kondratov, dadaism, concretism, neofuturism, uncensored poetry, zero text, permutation, hollow text, found poetry.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.