Победная речь будущего президента как жанр политического дискурса
At present have a considerable amount of works devoted to the notions of genre and discourse at their disposal, however the variety of genres of political discourse has not yet been fully described. That is why the key goal of this article is singling out and describing president’s victory speech as a genre of political discourse.
The method of functional description developed by E.I.Sheygal has been used as a basis for this work because it is possible to speak about partial functional similarity of these two genres. In the article one is presented with the analysis of the genre of victory speech from the point of view of integrative, inspirative and performative functions carried out also by inaugural speeches. In addition, two new functions are singled out – interdiscursive and expressive. The former consists in implicit and explicit referring to predecessors’ discourses and in appealing to common knowledge shared by the author and the audience. The latter gives decisive influence on stylistic characteristic of words, i.e. on the choice of expressive lexis.
The overview on the functions of victory speeches is supported by examples taken from two Barack Obama’s victory speeches (of 2008 and 2012 respectively). The choice of illustrative material is explained by high concentration of stylistic devices and the author’s remarkable skill of compiling speeches for public performances.
The results of the present work are in correlation with its goals: the functional difference between victory speeches and inaugural ones are considered relevant enough for discussing the former as a separate genre.
Upon analyzing the political processes occurring during the nineteenth-twentieth centuries, G.Musikhin posits that the popular idea about the supremacy of professional managers in politics over demagogues speculating with mass’ political aspirations conceals an attempt by the power holders to get rid of the axiological rationale for the political hegemony. He concludes that when the governmental policy is supported by the voters’ will rather than sovereign power per se, the ideological discourse becomes of fundamental importance since support is lent to someone who can present his ideological position as a majority’s goal. The debate within the political space is built around an ability to offer to the society a more attractive political (to be more precise, ideological) prospect rather than detailed mechanisms of how to govern society (that are largely universal).
Performatives are helpful in analyzing and interpreting political actions and events. Speech act and logical studies often reduce performatives to performative utterances. HSE scholars differentiate performative event, performative act and performative utterance. Their mutual interface coupled with reactive speech acts produce nested performative.Structural patterns of nested performatives are established with the help of funnel of performativity fashioned after the funnel of causality.
This book addresses a subject that can in the broadest sense be stated as interplay of language and ideology in process of instantiating historical knowledge in texts of political significance. The aim of the present volume is to discuss how history is recontextualized in national political discourse in the framework of two basic strategies of in-group and out-group categorization and biased representation of historical facts. It is contended that such recontextualization leads to what can be described as blending of national political discourse with a nationalistic one.
The evidence for the above contention is provided through linguistic analysis of three chunks of texts.
First, American presidential rhetoric spanning the last 50 years of history was analyzed. This part of the analysis suggests that a productive way to analyze the ‘enemy construction’ strategy seen as one of the key strategies of the discourse of the New World Order is to analyze it in a broader historic perspective, viz. as taking over the same principles, which defined the discourse of the Cold War. The ‘enemy construction’ strategy in both discourses is analyzed as resting on logic of binarism of the classical Us and Them opposition. Thus, it is contended that textual actualization of the ‘enemy’ is the projection of the basic category of the ‘other’ which is perpetuated in the political discourse and gets lexicalized differently depending on the text’s instantiating a particular order of discourse and the ideology informing it.
Second, a chunk of texts produced by those claiming to be professional historians has been addressed to see how national historical discourse is reinstantiated vis-à-vis a newly acquired national identity. An example of such discourse would be texts by Ukrainian historians writing on Great Patriotic War/World War II.
Third, texts of public figures, state leaders among them, instantiating post-Soviet geopolitical situation in the Caucasus, in particular, tension between Armenia and Azerbaijan over Nagorny Karabakh were looked into. The tension aggravated with unresolved conflicts, involvement of both Russia and the USA, results in this material being a valuable source for pinpointing linguistic patterns of historical and political discourse in general and patterns indicative of national historical discourse transforming into nationalistic discourse, in particular.
Discourse analysis is neither meant to substitute historical analysis, nor claims that all historical permutations are of discursive nature solely. Instead, we see the role of discourse analysis in placing a broader question: To what extent that which has really happened is displaced by its recontextualization in discourse, i.e. by its description? Since any conflict is always closely tied with conflicting values the question can be restated as: To what extent in such historical accounts accurate rendition is displaced with evaluation and appraisal? What comes first: the unresolved issues themselves or discursive practice perpetuating those issues? In other words, is it the conflict itself or the conflict of conflicting textual descriptions?
One way or the other, historical representations are not static; they are flexible and more than prone to distortion when values come into play. Reinventing the history to mesh with a new national identity is number one example. A clash of different political perspectives is a clash of different historical descriptions. And in this clash a power-wielding social agent has the power to reinterpret the history that will fit their political narrative with other interpretations outlawed and rendered unhistorical.
In the meantime, the true power of history as a field of study and an academic discipline should be seen in presenting multiple interpretations of phenomena in question with these interpretations being mutually complementary rather than mutually exclusive. In which lies the real power and the mission of all the humanities.
The article describes the results of comparative analysis of three texts created in three different countries under totalitarian power, delivered by three political leaders. The texts in German, Italian, and Russian have been analysed.
The article discusses the concept of "communication failure. Special attention is given to the identification and description of the causes of communication failures in the political discourse, as well as possible ways of their correction.
This article describes linguistic peculiarities of a column - one of the most popular and scantily explored genres of contemporary journalism. This genre, initially intended for commenting the political events, is undergoing transformation under the influence of non-professional authors, still keeping its basic features.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.