Революция 1917 года и гражданская война в российской провинции: два взгляда западных историков
Рецензия на книги Sarah Badcock. Politics and the People in Revolutionary Russia: A Provincial History (Cambridge: Cambridge University Press, 2007) и Aaron B. Retish. Russia’s Peasants in Revolution and Civil War: Citizenship, Identity, and the Creation of the Soviet State, 1914-1922 (Cambridge: Cambridge University Press, 2008)
Since the fall of Communism in the Soviet Union the historiography of revolutionary Russia has developed a distinct provincial turn. The opening of Soviet central and provincial archives provided new research opportunities to historians. Numerous articles and volumes focusing on Russia’s provinces have since appeared on both sides of the former Soviet border, and the historiography of the Russian revolution matured with an accelerated speed to account for multiple local variables. The understanding of multiplicity of local experiences profoundly changed and challenged the historical interpretations of the crisis that played out in Russia from 1917 to 1921. The article discusses the variety of local revolutionary experiences as they are revealed in recent historiography, but also focuses on some larger themes and issues where this regional perspective provides new insights and affects the general understanding of the Russian revolution. In particular, it discusses the factors contributing to the disintegration and reconstruction of the state, including the patterns and meaning of power in a provincial context, mechanisms of popular mobilization in the civil-war period including in Russia’s non-Russian regions, as well as transition to peace.
The chapter examines the origins of Jewish pogroms during the Civil War in Russia (1918-1921), shows the genetic connection between the "military pogroms" of the World War I and pogroms of the Civil War. Among other issues, the article analyzes the motive of a "shot in the back" as a pretext for pogroms.
This article traces the transformation of a genre of the review, traditional for the Russian journalism. This article offers the description of the speech structure of the review, based on the semantic category of an evaluation. The contemporary review occurrs not within a discourse of culture anymore, but also as a part of political or marketing communication within media environment.
An analysis of the historical basis of Benya Krik (1926) film after I. Babel's script, directed by V. Vilner. More precisely, an analysis of how art transforms reality and then, in turn, forms our perceptions about historical reality. The film was quickly taken off the screen for 'poeticizing banditism'. The prototype for Benya Krik, the character of Babel's Oddesa Tales, is Mishka the Japanese. It was a nickname of Moisei Vinnitskiy - an Odessa raider and a commander of a Red Army unit, who was in the end killed in a Cheka operation.