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October 14, 2026
At HSE University–St Petersburg, Experts Discuss How AI Changes Tourist Routes and Cultural Heritage
Neural networks are no longer simple travel assistants; now they decide what to include on the route and what to skip. Artificial intelligence changes how people perceive a place and shapes the image of tourist centres. At the II International Scientific and Practical Conference ’Information Technologies in the Preservation and Promotion of Cultural Heritage,’ researchers discussed who controls algorithmic solutions and in what ways, and whether authentic traditions get lost in them.
October 12, 2026
Road Injuries Leading Cause of Death Among Men Aged 10 to 39
Worldwide, road injuries are the leading cause of death among males aged 10–39. An international team of researchers reached this conclusion as part of the Global Burden of Disease Study 2023, analysing data from 204 countries between 1990 and 2023. Their findings have been published in The Lancet Public Health, with HSE University Professor Vasily Vlassov listed among the collaborators.
October 8, 2026
HSE Experts Take Part in 23rd Annual Meeting of Valdai Discussion Club
The 23rd Annual Meeting of the Valdai Discussion Club was held from September 28 to October 1, 2026 under the theme ‘Responsibility for the Future: Limits of the Possible, or Limitless Possibilities?’ The forum brought together 120 experts from 40 countries, including representatives of China, the United States, India, Brazil, the United Kingdom, Germany, Egypt, Iran, and Japan.

 

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«Комсомолия» Телингатера / Безыменского — пропагандистский комикс или шедевр конструктивистской типографики?

Журнал ВШЭ по искусству и дизайну. 2024. № 1. С. 56–77.
Sakhno I.

The article provides a study of Komsomolia (1928) — a poem by Alexander Bezymensky set for print by Solomon Telingater. This text has been both long out of print and beyond the scope of critical attention both in Russia and beyond it, for almost a century. This book is reassessed here within the context of contemporary scholarship, as a specimen of literature of the 1920s, as a first-hand account of the life of members of the Komsomol (Young Communists Organization) during the years of the Russian Civil war, and last of all, as a masterpiece of Constructivist art which embodied the experimental typography of the Russian avant-garde art. Transcending ideological bias, this article focuses on the realities of history and the most conspicuous markers of time which had influenced the contexts of the poem and informed its Romanticist drive. Using arguments from Bezymensky’s biography, the author argues that the view of Komsomolia as a Soviet propaganda comic strip, a narrative set in a sequence of simple pictures and photos, is too straightforward and can be extracted from the political expedience of its times. It were the polystylistics and polyphony of Komsomolia which informed its graphic art and formed the core of Telingater’s typographic experiment. Within this experimental space, the artist displays Komsomolia’s intricate architectonics and fascinating construction techniques, which makes use of such novel devices as photomontage, poetics of a cinematic frame, accentuating the text, figurative accidence, typographic drawing, as well as the visual optic of the ‘bioscopic book’.

Research target: Philology and Linguistics Art History
Language: Russian
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DOI
Text on another site
Keywords: полиграфияконструктивизмкомиксыconstructivismvisual narrativeакциденцияВизуальный нарратив и риторика образаTelingater / Bezymenskycomic strippolygraphic artТелингатер / Безыменскийфотомонтажтипографское рисованиебиоскопическая книга
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