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Идеология и кинорепрезентация (любовь и быт в советских фильмах 30-50-х годов)
С. 205–222.
Dashkova T.
In book
Саратов: Научная книга, 2007.
Grafova M. A., Воскобоева Е. В., Studi Slavistici 2025 Т. XXII № 2 С. 255–276
This article presents the publication and commentary of a previously unknown, unpublished,
and never-staged play by the prominent Russian playwright Evgenij Schwartz, Šura Klimova. Recently
discovered in a Moscow archive, the play is based on a debate that was widely discussed in the USSR
at the turn of the 1920s and 1930s concerning career choice during the period ...
Added: March 9, 2026
Рябов О. В., Имагология и компаративистика 2024 No. 1 P. 259–275
The article deals with an analysis of the Soviet Thaw films that contain love stories of USSR and USA citizens. Hollywood released a number of films that told the stories of love between representatives of the two hostile blocs; following the canon established in Ninotchka, they served as a part of the “struggle for hearts ...
Added: January 27, 2026
Рябов О. В., Вестник Волгоградского государственного университета. Серия 4: История. Регионоведение. Международные отношения 2024 P. 6–15
Introduction. The article focuses on the changes that happened in the portrayal of U.S. characters in Soviet Thaw cinema. The contribution of the article in the field of cultural Cold War is threefold: for the first time, it studies the American characters' images through the prism of the concept of rehumanization; establishes common and particular ...
Added: January 27, 2026
Young P. I., Kritika: Explorations in Russian and Eurasian History 2025 Vol. 26 No. 2 P. 269–296
This article integrates an examination of major philosophies of the will, their interpretations by Bolshevik theorists, and their manifestations in the Stakhanovite movement. Through empirical analysis, it has distilled three major non-Marxist philosophical currents in the discourse on the Stakhanovite movement: Nietzsche’s will to power, Kant’s will as practical reason, and Rousseau’s general will. Each ...
Added: May 27, 2025
Клещенко Л. Л., Рябова Т. Б., Женщина в российском обществе 2022 № 4 С. 33–47
The article based on an analysis of Soviet mass culture of the 1960s (feature films, documentaries, popular songs) examines the representations of Cuban masculinity and femininity in the context of the Cold war during the 1960s. The authors conclude that the images of men and women, masculinity and femininity have become a noticeable component of ...
Added: September 23, 2024
Клещенко Л. Л., Вестник Волгоградского государственного университета. Серия 4: История. Регионоведение. Международные отношения 2024 Vol. 29 No. 1 P. 77–86
Introduction. The scientific relevance of the topic is due to the fact that the concepts of colonialism
and neocolonialism are currently becoming part of the official Russian political discourse. The article examines how
film representations of the struggle against American neocolonialism in Latin America are used to create the image
of the American enemy in the context of ...
Added: September 22, 2024
Afanaseva I., Русанова Н. Л., Обсерватория культуры 2024 Т. 21 № 4 С. 430–446
The Moscow Palace of Pioneers on the Vorobyovy Gory — an architectural monument of Soviet modernism, the most successful and recognizable building of the Thaw period — can be found in many Soviet and Russian films: “The Tale of Lost Time”, “Gimme the Book of Complaints”, “Moscow — Cassiopeia”, “The Way to the Concert”, “Afonya”, ...
Added: September 19, 2024
Рябов О. В., Белов С. И., Давыдова О. С. et al., М.: Аспект Пресс, 2023.
Монография посвящена проблеме «кинематографической холодной войны». Авторы анализируют, как образы американского и советского врага использовались в символической политике, проводимой кинематографиями СССР и США.
Книга адресована специалистам в области истории, киноведения, международных отношений, культурологии, политологии. ...
Added: June 17, 2024
Метелев М. С., В кн.: Визуальное во всём: Сборник статейВып. 5.: М.: Эдитус, 2024. С. 20–30.
Статья представляет собой анализ творчества советского режиссера С.И. Юткевича в парадигме исследования медиевализма (Medievalism studies). Исследуются способы обращения режиссера к образам и идеям Средневековья, а также его личная аксиология и иерархия этой образности. Кроме этого, в статье разбираются некоторые эпистемологические предпосылки, которыми, судя по всему, руководствовался советский художник и ученый при работе с историческим материалом - ...
Added: June 3, 2024
Grafova M. A., Шаги/Steps 2024 Т. 10 № 1 С. 12–67
This article explores religious marriage in the USSR
during the New Economic Policy (NEP). From the start, the Soviet
authorities made great efforts to gradually eliminate religious beliefs
within Soviet society. One of the first steps in that direction
was the removal of marriage from Church jurisdiction. Moreover,
Soviet power was constantly trying to compromise the tradition
of religious marriage. However, ...
Added: April 6, 2024
Tulchinskii G. L., В кн.: Советское бытие: от укоренения до преодоления.: Яр.: Ярославский государственный педагогический университет им. К.Д. Ушинского, 2022. Гл. 12 С. 210–227.
Тема оценки и признания творчества Вертова весьма многогранна, но, в принципе, может рассматриваться в нескольких основных измерениях, ракурсах. Во-первых, в плане биографическом — и это очень содержательный ракурс, в чем-то даже весьма поучительный для раскрытия и осмысления вечной темы отношения творчества, автора и общества. Профессиональный (и в целом — жизненный) путь Дзиги Вертова начинался с успехов и даже ...
Added: January 20, 2024
Рыбакова Е. Р., Ivanov I., Журнал Белорусского государственного университета. Социология 2023 № 4 С. 75–83
It is noted that the school education system is a reflection of the processes taking place in the political, economic and cultural spheres of society, which is why educational topics are of particular interest to sociologists. The materials of Soviet cinema can serve as a tool for studying social processes in the context of education. ...
Added: January 13, 2024
Sergei Ogudov, Studies in Russian and Soviet Cinema 2022 Vol. 16 No. 3 P. 183–199
This article is devoted to the study of the film scripts by Aleksandr G. Rzheshevskii (1903–1967). In contrast to the concept of the ‘emotional scenario’, which emphasises the textual structure, this article suggests a reading of his scripts in connection with the problems of an oral narrative of personal experience. Such an approach allows us ...
Added: December 22, 2023
Sergei Ogudov, Studies in Russian and Soviet Cinema 2021 Vol. 15 No. 3 P. 195–205
This article is devoted to a study of point of view in screenplay narrative. Starting from the concepts of Monika Fludernik and Manfred Jahn, who investigated focalisation derived from the principles of morphological poetics, the analysis follows the gradations of point of view and its transition from narrator to character, using the example of the ...
Added: December 22, 2023
Огудов С. А., Критика и семиотика 2021 № 1 С. 383–402
The article is devoted to the narratological analysis of a screenplay. A distance between a narrator and a story world that constitutes a narrative is studied in regard to a conception of screenplay not as an autonomous literary work but as a series of texts corresponding to various stages of preparation for a film shooting ...
Added: December 22, 2023
К проблеме мимесиса в нарратологии: визуальные аттракторы в советском киносценарии 1920-1930-х годов
Огудов С. А., Новое литературное обозрение 2020 № 163 С. 134–144
In the present article the dual nature of a screenplay — which is both a narrated story and an instruction for a filmmaker who brings these events to a screen — is considered in relation to two types of communication, the semiotic and the mimetic. If semiotic communication is based on the interpretation of sign ...
Added: December 21, 2023
Нарративная скорость в советском киносценарии 1920-х годов: «Броненосец “Потёмкин”» С.М. Эйзенштейна
Огудов С. А., Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe 2019 № 9 Статья 2
The present article analyses the notion of narrative speedin a screenplay, which we define through the distinction between story time and narrative time. Since any narrative implies the convey of an event experience, based on comprehension of temporal changes, the narrative speed not only allows the differentiation of the levels of text, but also correlates ...
Added: December 21, 2023
Огудов С. А., Новое литературное обозрение 2023 № 179 С. 161–172
This article is dedicated to the study of instances of readers in The Great Consoler, the screenplay by Lev Kuleshov and Aleksandr Kurs. Special attention is given to the figure of the fictional reader, whose activity is defined as a mimesis of reading in which reflection is not separated from character’s bodily reactions. Also discussed ...
Added: December 19, 2023
Поликарпова Д. А., В кн.: Советские двадцатые. Искусство, архитектура, фотография, кино.: СПб.: Новое литературное обозрение, 2023. Гл. 4 С. 105–129.
Советское искусство 1920 х годов, о котором написано немало научных и научно-популярных работ, часто воспринимается как единое эстетическое направление, воодушевляемое идеей построения новой социалистической культуры. Однако культурный ландшафт эпохи формировали не только радикальные и новаторские проекты художественного авангарда. Книга «Советские двадцатые» — это своеобразное введение в визуальные практики десятилетия. Первая глава представляет собой обзор основных ...
Added: October 11, 2023
Stepanov B., Фокин А. А., Вестник Томского государственного университета. История 2023 № 82 С. 199–206
The development of film studies in Russia, and in particular the historiographical research of Soviet cinema, is not yet marked by a high degree of intensity. In this situation, the publication of Ludmila Mazur and Oleg Gorbachev's book «Soviet Films about the Village: Experience of Historical Interpretation of the Artistic Image» can be regarded as ...
Added: June 29, 2023