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May 25, 2026
HSE Scientists Train Neural Network to 'Hear' Faults in Electric Motors
Researchers at the AI and Digital Science Institute of the HSE Faculty of Computer Science have developed a new method—the Signature-Guided Data Augmentation (SGDA) framework—that achieves 99% accuracy in motor fault detection and 86% accuracy in fault classification. The application of this approach can reduce industrial equipment repair costs, minimise downtime, and improve production safety. The study results have been published in Engineering Applications of Artificial Intelligence.
May 25, 2026
'The Humanities Serve as a Conscience'
Maria Mizernaia studies Soviet literature and the history of book publishing. In this interview for the HSE Young Scientists project, she discusses plans to publish a novel about besieged Leningrad, AI-provoked reflections on what it means to be human, and how novels can help satisfy our dopamine hunger.
May 25, 2026
Is It Possible to Predict a Citys Life Based on the Shape of Its Neighbourhoods?
Is it possible to predict, based on the configuration of streets and buildings, where a café will open or where traffic congestion will occur? Participants in the Spatial Analysis and Modelling of Urban Processes research and study group use open data and machine learning to identify universal patterns. Alexander Sheludkov and Eduard Somov discuss the purpose of comparing cities, the need for new forms of urban statistics, and how open data is transforming approaches to urban studies.

 

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Техническое как посредник и соучастник в создании театральной иллюзии: медиальность в театрах Толстого, Пиранделло и Би-би-си 1

Новое литературное обозрение. 2023. Т. 180. № 2. С. 175–187.
Дергунова К. Н., Попова В. А.

In the article, Dergunova and Popova consider the theatrical illusion ensued by a variety of technical means and analyze the historical shift in the role of technology in the performative arts between the 18th and 21st centuries. From some aspects of Leo Tolstoy’s Rousseauist aesthetics to Luigi Pirandello’s playful treatment of reality in Sei personaggi in cerca d’autore and the contemporary practices of popular culture narrative assemblage as exemplified by the BBC One television series Staged, technology has come to mess with referentiality and confuse the audience in a cycle of illusion-building and illusion-breaking acts instead of stable reality effect maintenance.

Research target: Philology and Linguistics
Language: Russian
Full text
DOI
Keywords: театрмедиальностьmedialityтелесериалTV seriestheaterLuigi PirandelloЛ. Пиранделло
Publication based on the results of:
Литературность современных художественных медиа (2022)
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