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April 28, 2026
Scientists Develop Algorithm for Accurate Financial Time Series Forecasting
Researchers at the HSE Faculty of Computer Science benchmarked more than 200,000 model configurations for predicting financial asset prices and realised volatility, showing that performance can be improved by filtering out noise at specific frequencies in advance. This technique increased accuracy in 65% of cases. The authors also developed their own algorithm, which achieves accuracy comparable to that of the best models while requiring less computational power. The study has been published in Applied Soft Computing.
April 27, 2026
Fair Division: How Mathematics Helps to Divide the Indivisible
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April 24, 2026
Electronics of the Future: Why Superconductors and Spintronics Work Together
It was once believed that superconductivity and magnetism avoided each other like the devil avoids holy water. However, modern nanostructures prove the opposite. A Russian theoretical physicist and Indian experimentalists have joined forces to create the electronics of the future—free from energy losses. Nataliya Pugach, Professor at the School of Electronic Engineering at HSE MIEM and Leading Research Fellow at the Quantum Nanoelectronics Laboratory, explains how a long-standing acquaintance in Cambridge grew into a mirror laboratory project with the Indian Institute of Technology Bombay (IIT Bombay), how superconducting spintronics works, and what surprises a researcher in India beyond the university campus.

 

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Техническое как посредник и соучастник в создании театральной иллюзии: медиальность в театрах Толстого, Пиранделло и Би-би-си 1

Новое литературное обозрение. 2023. Т. 180. № 2. С. 175–187.
Дергунова К. Н., Попова В. А.

In the article, Dergunova and Popova consider the theatrical illusion ensued by a variety of technical means and analyze the historical shift in the role of technology in the performative arts between the 18th and 21st centuries. From some aspects of Leo Tolstoy’s Rousseauist aesthetics to Luigi Pirandello’s playful treatment of reality in Sei personaggi in cerca d’autore and the contemporary practices of popular culture narrative assemblage as exemplified by the BBC One television series Staged, technology has come to mess with referentiality and confuse the audience in a cycle of illusion-building and illusion-breaking acts instead of stable reality effect maintenance.

Research target: Philology and Linguistics
Language: Russian
Full text
DOI
Keywords: театрмедиальностьmedialityтелесериалTV seriestheaterLuigi PirandelloЛ. Пиранделло
Publication based on the results of:
Литературность современных художественных медиа (2022)
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