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News
August 25, 2026
Scientists Develop Algorithm for More Reliable Processors in Data Centres
Researchers from HSE MIEM and Samara University have developed the LRF-3D algorithm to automatically bypass idle nodes in three-dimensional networks-on-chip. Thanks to its hierarchical architecture, the algorithm outperforms existing solutions in both speed and path accuracy, improving processor reliability for use in data centres, supercomputers, and AI computing. The source code and test results are publicly available.
August 24, 2026
Researchers Develop Method for Direct Generation of Regulatory DNA
Researchers at HSE University have developed a model for generating promoters and enhancers—DNA sequences that regulate gene activity. The model works directly with DNA nucleotides, without first transforming them into a continuous numerical representation. This solution could be useful for applications in synthetic biology and gene therapy. The study results were presented at the ICLR 2026 Workshop ‘Generative AI in Genomics (Gen^2): Barriers and Frontiers.’
August 21, 2026
Social Integration: At the Crossroads of Knowledge and Values
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.

 

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Техническое как посредник и соучастник в создании театральной иллюзии: медиальность в театрах Толстого, Пиранделло и Би-би-си 1

Новое литературное обозрение. 2023. Т. 180. № 2. С. 175–187.
Дергунова К. Н., Попова В. А.

In the article, Dergunova and Popova consider the theatrical illusion ensued by a variety of technical means and analyze the historical shift in the role of technology in the performative arts between the 18th and 21st centuries. From some aspects of Leo Tolstoy’s Rousseauist aesthetics to Luigi Pirandello’s playful treatment of reality in Sei personaggi in cerca d’autore and the contemporary practices of popular culture narrative assemblage as exemplified by the BBC One television series Staged, technology has come to mess with referentiality and confuse the audience in a cycle of illusion-building and illusion-breaking acts instead of stable reality effect maintenance.

Research target: Philology and Linguistics
Language: Russian
Full text
DOI
Keywords: театрмедиальностьmedialityтелесериалTV seriestheaterLuigi PirandelloЛ. Пиранделло
Publication based on the results of:
Литературность современных художественных медиа (2022)
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