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Темпоральные контексты пандемических рисков и инклюзии
What mechanisms of traditional culture can contribute to inclusive processes in modern contexts of creative associations? The section is based on the analysis of interviews with managers of urban studios and folk culture clubs.The perception of others – "others", "strangers", "not like that", "special" - is mosaic and ambiguous, and is also closely related to a person's personal experience. In the stories of informants, several layers of perception and explanation of otherness can be distinguished. As a basis for separation, the interview mentioned health limitations and disability, belonging to different national and ethnic groups, and religion. Meetings with conditional "others" can be localized by the degree of proximity to the narrator by the type of circles on the water – a personal story, among the participants of folk ensembles, among the audience, and in the folklore tradition. The closer the informant is to the otherworldly, the more integral the image of the "other" he translates and is more tolerant of them.