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«Одноточечная поэзия» в контексте поэзии предельно минимальных форм
С. 295–304.
One-point poetry is the last step from extremely minimal literary forms to the forms of non-verbal poetry – so-called “hollow” and “zero” texts. A number of already existing “one-point” works and ability to interpret them is impressive, despite the fact that in one-point poetry main text really consists of only one point. Their number is influenced by: a) its placement on the page; b) an ability to interpret the point as the equivalent of a verbal sign, as a punctuation mark and as a visual object; finally, с) an ability to freely vary the paratext. This thesis will be demonstrated by the example of works by K.K. Kuz’minsky, P. Mityushev, Bonifacius, V. Nekrasov, Rea Nikonova and other authors..
In book
Pavlovets M. РГГУ, 2022.
Pavlovets M., Логос 2026 Т. 36 № 3 С. 41–68
The poem Dyr bul shchyl…, unlike the two other adjacent poems in Aleksei Kruchenykh’s book Pomada (Lipstick) (1913), whose words “have no definite meaning,” became one of the most famous poetic texts of the Russian avant-garde. Around it, two main interpretative traditions have emerged: the semantic one, which views Dyr bul shchyl… as an enigmatic ...
Added: September 10, 2026
Pavlovets M., Новое литературное обозрение 2024 № 3(187) С. 204–217
The main corpus of German Lukomnikov’s (Bonifaсius’) works may well be attributed to the field of verbal poetry proper, however, in most works, when they are recorded in writing, the visual form is actualized, and when read aloud, the acoustic form, so that the vectors of visualization and audialization take a number of texts beyond the boundaries of “poetry proper” into ...
Added: July 31, 2024
Pavlovets M., Новое литературное обозрение 2023 Т. 182 № 4 С. 230–242
The plan for the “collected works” of a figure of “philological school” of the Leningrad underground, Alexander Kondratov, outlined by him in his text “My Trinities” (Moi troitsy) and in a number of other texts, implied the creation of 12 volumes of artworks written in all three forms of literature — prose, verse and hybrid, representing the widest paradigm of topics and ...
Added: August 2, 2023
Pavlovets M., Studia Litterarum 2023 Т. 8 № 2 С. 10–31
The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become conventional in European art and art studies, however it has not yet established in ...
Added: June 17, 2023
Pavlovets M., Зборник Матице српске за славистику 2022 Т. 2022 № 102 С. 225–237
Konstantin K. Kuzminsky is not only the compiler of a whole number of poetic anthologies of underground and historic avant-garde poetry of his time, but also a very significant poet whose literary work can be seen through the lens of late postwar avant-garde, which is neo-avant-garde. Just like a number of other neo-avant-garde authors, in ...
Added: December 23, 2022
Pavlovets M., В кн.: Россия — Германия: литературные встречи (после 1945 года).: ИМЛИ РАН, 2022. Гл. 25 С. 438–467.
Representatives of the Soviet underground who chose to be autonomous from the censored literary and artistic environment in the US SR, reg arded their po sition as a “double separation” from the pre-revolutionary and revolutionary culture of the Soviet Russia of the 1920s on the one hand and from the world culture on the other ...
Added: October 27, 2022
Pavlovets M., В кн.: Ленинградская неподцензурная литература: история и поэтика.: СПб.: RUGRAM_Пальмира, 2022. С. 68–82.
The article is dedicated to performative poetry and happenings of one of the most remarkable Leningrad “philological school” poets Alexander Kondratov. Special attention is given to the poet’s concept of “concrete theater”, in which an interpretation of J. Moreno’s idea of “the theater of spontaneity” can be seen, as well as of Yevgeniy Mikhnov-Voytenko’s “antiabstract” ...
Added: July 26, 2022
Ирина Сахно, Slavic Literatures (ранее - Russian Literature) 2019 Т. 109-110 С. 301–304
В центре нашего исследовательского внимания — научные монографии, посвященные языку и идиостилистике представителей литературного авангарда, поэтические тексты Телингатора / Безыменского и Чичерина, собранные и прокомментированные в таком масштабе впервые. Три книги серии AVANT-GARDE, изданные Европейским университетом в Санкт-Петербурге в 2018-2019 годах, свидетельствуют не только о неослабевающем интересе российских ученых к историческому русскому авангарду начала ХХ ...
Added: October 11, 2021
Pavlovets M., В кн.: Subjekt und Liminalität in der Gegenwartsdichtung. Bd. 8.1.: Grenzen, Schwellen, Liminalität und Subjektivität in der russischen Gegenwartsdichtung / Субъект и лиминальность в современной поэзии. Том 8.1: Границы, пороги, лиминальность и субъективность в современной русскоязычной поэзииТ. 8.1: Границы, пороги, лиминальность и субъективность в современной русскоязычной поэзии.: Берлин: Peter Lang, 2020. С. 363–378.
Vsevolod Nekrasov is a poet whose legacy today is viewed in many different contexts such as the poetry of the Lianozovo group, Russian Concrete Poetry, Conceptualism, Minimalism, and others. Since the beginning of the 1960s, during his creative activity period, the poet was working on an ambitious project, whose titles, genre definitions and scope, as seen by the author, ...
Added: May 16, 2020
Pavlovets M., Toronto Slavic Quarterly 2017 № 61 С. 232–249
The article focuses on the role of Yevgeny Golovin as a translator and researcher of poetry of the European neoavantgarde, whose works had an important influence on some authors of the Russian literary underground ...
Added: January 18, 2018
Pavlovets M., В кн.: Сто лет русского авангарда.: М.: Научно-издательский центр "Московская Консерватория", 2013. С. 375–384.
Статья посвящена "нулевым" и "пустотным" текстам в поэзии русского авангарда, неоавангарда и поставангарда, в творчестве В. Гнедова, И. Игнатьева, Г. Сапгира, Г. Айги, Д.А. Пригова, Л. Рубинштейна и других авторов. ...
Added: September 22, 2014