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Силлабо-тонический стих А. Башлачёва
С. 127–136.
The article deals with the accentual sillabic texts of A. Bashlachev. It shows how two trends compete on a verse level. The first tendency aims to leave the poet within the traditional system, while the other trend aims to overcome the monotony of accentual sillabics. Bashlachev uses all the techniques that allow him to renew the classical verse without switching to a tonic verse. Rarely are poetic meters repeated in several texts, most often poems have their unique metric profile. At the same time, the verse becomes part of the intertextual game, referring to Vysotsky and Nekrasov. The analysis of a unique metric scheme created by Bashlachev for “The Time of the Bells” allows to find the folklore-religious context for this work among the poetic texts of the Silver Age and Soviet poetry.
Nosachev P., , in: Dwelling in Parallel Worlds: Esoteric and New Age Milieus in the Soviet Period and Afterward.: Berlin: Lit Verlag Berlin, 2025. P. 185–188.
Added: September 12, 2025
Мессианство «персоны» Зигги Стардаста Д. Боуи в контексте романа «Чужак в чужой стране» Р. Хайнлайна
Tyulin D., Вестник Нижегородского государственного лингвистического университета им. Н.А. Добролюбова 2023 Т. 3 № 63 С. 136–151
The article discusses the Messianic features of the poetic “persona” of the British poet D. Bowie: the Martian rocker Ziggy Stardust who is the main character of the album cycle “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” (1972). “Persona” in Bowie’s work is a conceptual fictional mask that expands possibilities ...
Added: March 10, 2025
Tyulin D., Вестник Нижегородского государственного лингвистического университета им. Н.А. Добролюбова 2022 № 57 С. 109–121
This article is devoted to the analysis and comparison of two phenomena of British counter cultural poet: the work of David Bowie and the legacy of the British Poetry Revival. David Bowie has gained cult status as a musician and performer, his work bringing together various genres and art forms such as theater, poetry and ...
Added: March 10, 2025
Tyulin D., Вестник Ивановского государственного университета. Серия: Гуманитарные науки 2022 № 1 С. 75–84
The article examines the relationship between the author, a character, and a persona in D. Bowie’s concept album “Station to Station” (1976). The album is viewed in the context of Bowie’s work on the creation of an innovative poetic text, where turning to multimedia means expanding the space of the poetic word. Bowie’s poetry of ...
Added: March 10, 2025
Tyulin D., Российский гуманитарный журнал 2022 Т. 11 № 1 С. 79–88
This article examines the transformation of the poetic persona and the figure of the author in the work of the British poet and musician David Bowie. Bowie's personas interact with the author's figure, traditionally placed on the periphery of the poet's performative work. The article examines a case of synthesis of the poetic persona and ...
Added: March 10, 2025
Tyulin D., Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология» 2022 № 3 С. 77–85
The album “Diamond Dogs” by British musician David Bowie is analyzed in the article as an experimental poetic cycle. Originally conceived as a musical adaptation of G. Orwell’s “1984”, the album is a science fiction work involving multiple literary allusions. “Diamond Dogs” as a musical album is analyzed from the point of view of a ...
Added: March 10, 2025
Tyulin D., Филоlogos 2023 № 2(57) С. 66–72
The article studies the peculiarities of the implementation of the poetic "persona" and the lyrical hero in the poetry of D. Bowie. The album cycle "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" is the first work of the poet, in the center of which there is a poetic "persona" (the ...
Added: March 10, 2025
Tyulin D., Филология и человек 2023 № 3 С. 129–136
The article is devoted to the study of the use of "personas" in the poetic works of D. Bowie in comparison with the ideas of "impersonality" of T.S. Eliot. First introduced by C.G. Jung, in our work the concept of "persona" is understood as a conceptual creative mask of D. Bowie, which allowed him to ...
Added: March 10, 2025
Tyulin D., Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология» 2023 № 5 С. 129–137
. Features of Buddhist philosophy as interpreted by the counter cultural writer J. Kerouac play an important role in the artistic self-determina tion of the British poet and musician D. Bowie and the formation of his creative personality. The article suggests that Kerouac’s motif of the road has Buddhist philosophical overtones, which Bowie adopts to create ...
Added: March 10, 2025
Шумилова М. Ф., Азаренков А. А., Зборник Матице српске за славистику 2025 Т. 2025 № 108 С. 263–280
The article addresses the issue of free verse as a distinct system of versification. In contemporary philology, free verse has yet to receive a definitive positive characterization. It is typically described through a list of absent elements, such as regular meter or rhyme. However, these elements are not entirely eliminated from the text; rather, they ...
Added: November 11, 2024
Баркова Л. А., Труды института русского языка им. В.В. Виноградова 2022 № 3(33) С. 59–95
This article analyzes stanzaic, metric, and rhyming structure in N. E. Gorbanevskaya’s poems, and shows their specifi c features by comparing them with other poems, written in the second half of the 20th century and in the beginning of the 21st century. The source of the present study is the data from the Poetic sub-corpus ...
Added: October 21, 2022
Екатеринбург, Тверь: [б.и.], 2021.
Статьи двадцать первго выпуска сборника «Русская рок-поэзия: текст и контекст» посвящены общим вопросам филологического изучения рок-культуры, творчеству признанных классиков отечественной и зарубежной рок-поэзии (Бориса Гребенщикова, Алексадра Башлачёва, Виктора Цоя, Егора Летова, Боба Дилана…), а также творчеству авторов, близких поэтике рока ...
Added: November 22, 2021
Kolesnik A., В кн.: Русская рок-поэзия: текст и контекстВып. 19.: Екатеринбург, Тверь: Уральский государственный педагогический университет, 2019. С. 81–88.
The paper analyses Russian heavy metal music as a musical gen-re. As a key component of the genre, a fantastic theme stands out, which was presented in song lyrics, as well as in music, visual images and live performanc-es. Based on the material of several heavy metal bands of the 1980s and 1990s («Black Coffee», ...
Added: October 9, 2019
Orekhov B., В кн.: Русская рок-поэзия: текст и контекстВып. 19.: Екатеринбург, Тверь: Уральский государственный педагогический университет, 2019. С. 204–209.
В статье даётся построчный комментарий к тексту песни Б. Гребенщикова «Праздник урожая во дворце труда», предлагаются варианты интерпретаций образного ряда. Концептуальная рамка для декодирования текста – отклик на события переломной эпохи, контраст 1990-х и современности, интертекстуальные источники – другие тексты того же автора, артефакты массовой культуры, язык советского времени. ...
Added: September 25, 2019