Опыт поэтологического прочтения текстов премии «Поэзия» (2020)

С. 348–380.

Азаренков А. А.

The article provides an overview of the poetic attitudes discovered in the “Poetry” award list. The analysis of the verses is aimed at identifying common spots in the poetic art. The premium list contains four groups of poetological “toposes”: “toposes” associated with sound, with language, with society and with the purpose of poetry. Modern authors prefer to follow the archaic concept of “music” within the poetology of sound as a key quality century, meanwhile there is a striving to contrast the “toposes” of language (of writing) and sound (of speech) as conditionally “avant-garde” and “traditionalist” poles of poetry. Speaking of language, generally all the poets inherit the linguistic philosophy of the 20th. In the social sphere, there is a strong tendency to criticize the mass society and especially the professional community as institutions that hinder creative self-realization. And finally, the understanding of creativity as work with trauma – both personal and common (social, historical, ontological) prevails in the field of poetry teleology. At the same time, ethical and political dimensions are introduced into poetology. Exceptions, either those adjoining other traditions, or quite individual, are found in each of the listed groups. Thereby, aesthetic self-reflection becomes one of the central themes of modern poetry, blurring the line between poetic and theoretical discourses.

Keywords: философия языка, профессиональное сообщество, культурная травма, современная поэзия, поэтология, поэтическая фоника

Publication based on the results of: Russian literature in an international context (2020)

In book

«Вакансия поэта»-2: материалы двух конференций

Воронеж: АО «Воронежская областная типография», 2020.