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Shklovsky as a Technique: Literary Theory and the Biographical Strategies of a Soviet Intellectual
P. 219–235.
Kalinin I.
In the history of Soviet culture, Viktor Shklovsky achieved far more than the status of original theoretician, keen critic and writer who was able to produce literature corresponding to stylistic, or generic, goals he articulated himself. Above all, he constituted a unique and, at the same time, paradigmatic type of Soviet intellectual. This intellectual type was shaped by the extraordinarily severe demands for cultural and political adaptation (and assimilation) dictated by his times.
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In book
Kalinin I. Lexington Books, 2019.
Попов С. Д., Русская литература 2026 № 2 С. 157–166
This article examines V. B. Shklovsky’s Sentimental Journey (1923) as a literary work created in accordance with the conventions of oral narrative. The formal features of the text of Sentimental Journey are used for reassessing the fundamental theoretical theses of Russian Formalism and, in particular, the models proposed by the Formalists for conceptualizing poetic language ...
Added: June 9, 2026
Попов С. Д., Словесность и история 2025 № 4 С. 310–326
In the late 1920s and early 1930s, V. B. Shklovsky published two short books: Writing Technique (1927) and How to Write Screenplays (1931). In these works, Shklovsky appears less as a literary researcher and theorist, writer and screenwriter than as a teacher and mentor for beginning proletarian authors. This article presents an analysis of Shklovsky's ...
Added: June 9, 2026
Попов С. Д., Новое литературное обозрение 2025 № 192 С. 122–134
As early as the early twenties, the Russian Formalists began to discover ways to describe literary production within the context of various social, economic and institutional factors. However, the Formalists did not use the analytical potential of this discovery only at the level of literary history or literary criticism. In asociological vein the Formalists, especially ...
Added: June 9, 2026
Kalinin I., , in: Escritos sobre arte y literatura.: Asimetricas, 2021. P. 6–64.
Added: November 1, 2021
Shklovski V., Asimetricas, 2021.
In the history of Soviet culture, Viktor Shklovsky achieved far more than the status of original theoretician, keen critic and writer who was able to produce literature corresponding to stylistic, or generic, goals he articulated himself. Above all, he constituted a unique and, at the same time, paradigmatic type of Soviet intellectual. This intellectual type ...
Added: November 1, 2021
Delazari I., В кн.: Герой и антигерой как объекты сравнительного литературоведения: Межвузовский сборник научных статей, посвященный памяти А. А. ЧамееваВып. 3.: СПб.: Издательство Санкт-Петербургского университета, 2021. Гл. 5 С. 60–73.
Leo Tolstoy’s infection theory of What Is Art? (1899) is explored in the article as an early stage of today’s reflection on enactive reading and the reader’s embodied mind in cognitive literary studies. A comparative treatment is given to Tolstoy’s Kholstomer (Strider, 1886) as the perfect sample of the defamiliarization technique (priyom ostraneniia) (Shklovsky 1917) ...
Added: June 17, 2021
Klimova S., Вестник Московского государственного университета культуры и искусств 2020 Т. 97 № 5 С. 6–17
The article considers some trends in Soviet philosophy, which studied myth and mythological
consciousness in 1950–70th. Their connection with European myth theories, in particular with French structuralism and German symbolism, is revealed. The conceptions of Aleksei Losev and Mikhail
А. Lifshits demonstrate two ways of describing myth in Soviet philosophy of consciousness. A deep
connection between Losev’s theory of ...
Added: March 18, 2021
Levchenko J., Новое литературное обозрение 2019 Т. 159 № 5 С. 125–138
In this work, observations on the narrative organiza- tion of the text of Viktor Shklovksy’s epistolary novel Zoo, or Stories Not About Love (1923). The preva- lence of terms related to sight is revealed and com- mented upon, from which a preliminary conclusion is drawn that over the course of his short stay in Berlin, ...
Added: October 31, 2019
Шкловский В., М.: Новое литературное обозрение, 2019.
Второй том называется «Биография» и состоит из автобиографических и мемуарных текстов, написанных с 1919-го по 1982 год. Его цель – попытаться представить многообразие и внутреннее единство биографических стратегий, благодаря которым стиль повествователя определял судьбу автора. Объединение в один том - классической и ранней автобиографической трилогии («Сентиментальное путешествие», «Zoo», «Третья фабрика»); очерковых воспоминаний об Отечественной войне, ...
Added: October 30, 2019
М.: Новое литературное обозрение, 2018.
Настоящий том открывает Собрание сочинений яркого писателя, литературоведа, критика, киноведа и киносценариста В.Б. Шкловского (1893-1984). Парадоксальный стиль мысли, афористичность письма, неповторимая интонация сделали этого автора интереснейшим свидетелем эпохи, тонким исследователем художественного языка и одновременно - его новатором. Задача этого принципиально нового по композиции собрания - показать все богатство разнообразного литературного наследия Шкловского. В оборот вводятся ...
Added: October 30, 2019
Kalinin I., Lexington Books, 2019.
This book is dedicated to Viktor Shklovsky literary and theoretical legacy ...
Added: October 30, 2019
Kalinin I., Вестник Санкт-Петербургского университета. Язык и литература 2018 Т. 15 № 4 С. 605–617
В 1924 г. выходит номер журнала «ЛЕФ», целиком посвященный анализу языка В. И. Ленина. Авторами статей, вошедших в этот тематический выпуск журнала, были представители ОПОЯЗа и близкие к ним исследователи. Описание языка Ленина как языка, в котором реализуются «открытые формалистами» законы поэтического языка, становится
для опоязовцев легитимной возможностью распространить свою теорию литературной
эволюции на область социальной истории ...
Added: October 30, 2019
Kalinin I., , in: The Cambridge Companion to Narrative Theory.: Cambridge: Cambridge University Press, 2018. P. 46–60.
The Russian Formalists’ opposition between story (“a phenomenon relating
to the material”) and plot (“a phenomenon of style”) presents the latter as the
aspect of the work that not only organizes “the totality of events,” but also
organizes them intentionally in order to increase readerly tension.
The recombination of story events into a plot (with its interruptions, retardations,
and decoys) ...
Added: October 30, 2019
Kharitonov D., Вестник Московского университета. Серия 9: Филология 2010 № 1 С. 116–123
This article is an attempt to make a comparison between two models of social and creative behaviour based on the same principle of "estrangement". V. Shklovskii and T. Wolfe are presented as two "avant-garde spokespersons" representing the Russian Formalism and the American New Journalism (the article opens with the explanation of why it is possible ...
Added: October 14, 2019
Zhanajdarov D. E., Международный журнал исследований культуры 2018 № 2(31) С. 105–114
The article is devoted to the formation of the image of the pre-revolutionary history of Russia on the example of Yuri Tarich's film Wings of Serf (1926). In the first post-revolutionary decade, there was a departure from previous standards in the image of national history. Authors searched for new forms of screen representations of past events. Although the film inherits the tradition ...
Added: October 2, 2018
Kalinin I., ENTHYMEMA 2017 No. 19 P. 342–351
The longstanding friendship between Viktor Shklovsky and Roman Jakobson, which gave way to a gradual cooling of relations and finally arrived at a complete rupture, has for almost a century been the subject of numeral scholarly researches. The reality of personal conflict and the obviousness of the multiple psychological, biographical and historical causes that made ...
Added: January 31, 2018
Kalinin I., Вестник Санкт-Петербургского университета. Серия 9. Филология. Востоковедение. Журналистика 2016 № 3 С. 55–63
The longstanding friendship between Viktor Shklovsky and Roman Jakobson, - which gave way to a gradual cooling of relations, and finally arrived at a complete rupture, - has for almost a century been the subject of numeral scholarly researches. The reality of personal conflict and the obviousness of the multiple psychological, biographical and historical causes ...
Added: January 30, 2018
Kalinin I., В кн.: Формальный метод: Антология русского модернизма. В 3 тт.Т. 1 : Системы.: Кабинетный ученый, 2016. С. 62–106.
Глава раскрывает все основные направления интеллектуальной биографии Виктора Шкловского ...
Added: January 30, 2018
Chernavin G., Yampolskaya A., Continental Philosophy Review 2019 Vol. 52 No. 1 P. 91–113
We investigate the parallelism between aesthetic experience and the practice of phenomenology using Viktor Shklovsky's theory of 'estrangement' (ostranenie). In his letter to Hugo von Hofmannsthal, Husserl claims that aesthetic and phenomenological experiences are similar; in the perception of a work of art we change our attitude in order to concentrate on how the things ...
Added: October 19, 2017