Защита прав артистов-исполнителей: исправление дисбаланса

Гл. 2.1. С. 137–164.

Kokina S.

An imbalance of interests can arise not only in favor of the copyright holder against the interests of society. But also against the copyright holder in the interests of another copyright holder. With regard to performing artists, an incredible imbalance has arisen. AI rights began to be recognized only in 1961, when the Rome Convention on the Protection of the Rights of Performers, Producers of Phonograms and Broadcasting Organizations was adopted, which guarantees a minimum amount of rights of performers to their unrecorded performances, giving them not the exclusive right of right holders, but “the opportunity to prevent ". Exclusive rights to performing artists were granted later. Art. 19 of the Rome Convention deprives performing artists of all exclusive rights to recorded performances. The situation is partially overcome. Moral rights were not granted to performing artists under the Rome Convention, they were granted much later. The article considers the development of norms in these three areas (exclusive rights, Article 19 of the Rome Convention, moral rights) in international treaties and the Civil Code of the Russian Federation.

Keywords: международные договоры, international treaties, авторское право и смежные права, performing artists, neighboring rights, Римская конвенция 1961, артисты-исполнители, Rome Convention 1961

In book

Исключительное право правообладателя и интересы общества: пути достижения баланса

Э.П.Гаврилов, В.О. Калятин, Гульбин Ю. Т., Еременко В. И., Павлов В. П., Савина В. С., Тарасов Д. А., Моргунова Е. А., Рахматулина Р. Ш., Семенов А. В., Кожемякин Д. В., В.Н. Синельникова, В.В. Старженецкий, Тыцкая Г. И., С.Б. Кокина М.: Юрсервитум, 2019.