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Nikolaj B. Youssoupov dans le milieu artistique de Rome en 1784-1785
P. 405–418.
The article concerns the stay of prince N.B.Yusupov in Rome, his relations with contemporary artists from different countries who worked in Rome at the period.
In book
Sharnova E. Rennes: Presses Universitaires de Rennes, 2016.
Lifshits A., Амерханова Э. И., В кн.: Вспомогательные исторические дисциплины в современном научном знании: Материалы XXXV Всероссийской научной конференции с международным участием. Москва, 6–7 апреля 2023 года.: М.: ИВИ РАН, 2023. С. 24–25.
Тезисы доклада на конференции ...
Added: June 1, 2023
Chamina N., , in: Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera Across EuropeVol. V.: Brepols Publishers, 2022. Ch. 6 P. 111–124.
The graphic works for the theatre (and more precisely, the scenographic sketches) by Giacomo Quarenghi (1744–1817), a well-known architect from Bergamo whose style embraced neoclassical and Palladian elements and who arrived at the Russian court at the invitation of Catherine II (the Great, r. 1762–96) in 1780, seem to occupy a peripheral place in his ...
Added: September 7, 2022
Brepols Publishers, 2022.
Mapping Italian Theatre provides a new critical overview of the circulation of the Italian theatre and opera across Europe in the eighteenth century. Performed as an extension of imperial celebrations, coronations, weddings, and masquerades, Italian theatre and opera provided scripts for the representation of political power and became an expressive metonym for the Bourbon monarchs, Austrian ...
Added: September 7, 2022
Guseva A., Известия Уральского федерального университета. Серия 2: Гуманитарные науки 2022 Т. 24 № 2 С. 287–302
The International Exhibition of Chinese Art that took place in London’s Burlington House from November 1935 to March 1936 is recognised as the major exhibition ofancientandclassicalChineseartofthetwentiethcentury.Overtwohundredcollectors and institutions from 14 countries provided their objects of art to the exhibition. None of the previous exhibitions had had as many items: the number of objects was extraordinary ...
Added: July 1, 2022
Guseva A., Актуальные проблемы теории и истории искусства 2021 № 11 С. 864–880
From November 1935 to March 1936, the International Exhibition of Chinese Art took place in the halls of the Royal Academy of Arts in London. In 16 halls of the Burlington House, about 4,000 objects were exhibited. More than a dozen of countries and more than 200 private collectors participated in its organisation and lent ...
Added: January 7, 2022
Steiner E. S., В кн.: Япония в России: Коллекционирование японского искусства в России в конце XIX - начале XX вв. и последующая судьба этих собраний.: М.: Первый Том, 2019. Гл. ) С. 6–7.
The Foreword to the book which introduces the situation with private prerevolutionary collections of Japanese at in Russia and the subsequent history of these collections after they were nationalized by the Soviet authorities. ...
Added: October 17, 2019
М.: Первый Том, 2019.
The book Japan in Russia: Collecting Japanese art in Russia in the 19th - early 20th centuries and the subsequent fate of these collections consists of articles that were written on the basis of papers and other materials of the academic conference “Collecting Japanese art in Russia in the last 19th and the early 20th ...
Added: October 17, 2019
Sharnova E., Искусствознание 2019 № 1 С. 222–249
The article discusses three different editions of the catalogue of the famous collection of A. S. Stroganov, written by the owner himself. The texts of the catalogues prove that Stroganov was not only familiar with the tradition of French auction catalogues, but also expressed his own original judgments about the paintings. ...
Added: October 9, 2019
Shchepkin V., В кн.: История и культура традиционной Японии 9Кн. 9: История и культура традиционной Японии. Вып. LXV: Orientalia et Classica. Труды Института восточных культур и античности.: СПб.: Издательский дом "Гиперион", 2016. С. 282–290.
В статье исследуется история поступления в Россию крупной коллекции японских книг и карт в начале XIX в., а также история перевода и публикации части этих материалов в России. ...
Added: September 28, 2018
Федотова А. А., Вопросы истории естествознания и техники 2017 № 2 С. 411-414
An overview of the symposium organised by Marina Loskutova and Anastasia Fedotova within the framework of the 7th bi-annual conference of the European Society for the History of Science (ESHS) in Prague, 22-24 September 2016. The paper contains summaries of the papers presented at the symposium. ...
Added: July 10, 2018
Sharnova E., Искусствознание 2016 № 3 С. 310–315
Review of the fundamental book , which gives original interpretation of different aspects of collecting of brothers Pavel and Sergey Tretiakov. ...
Added: January 14, 2018
Sharnova E., В кн.: Век Просвещения. Вып. V: География эпохи Просвещения: между воображением и реальностью.Вып. V: География эпохи Просвещения, между воображением и реальностью.: М.: Наука, 2015. С. 337–361.
The article concerns the D.A.Golitsyn's book "Description of the prominent schools and their painters", which was written during his stay in Paris in 1767-1768 and was not published. It was one of the first tentatives to write history of art in Russia. Golitsyn was inspired by the texts of famous European authors (like Roger de ...
Added: October 26, 2016
Sharnova, Elena, , in: Collections et Marché de l'Art en France 1789-1848. Actes du colloque organisée par l'INHA.: Rennes: Presses Universitaires de Rennes, 2005. P. 359–373.
The article is devoted to the history of collection of French painting of N.B.Yusupov, his relationships with Parisian art market and modern French painters. ...
Added: August 14, 2015
Rennes: Presses Universitaires de Rennes, 2005.
The collection of articles is devoted to different aspects of art collecting and art market in France at the end of the 18th - beginning of the 19th centuries. ...
Added: August 14, 2015
Sharnova, Elena, , in: Le gout pour la peinture italienne autour de 1800, prédécesseurs, modèles et concurrents du cardinal Fesch. Actes du colloque organisée par l'INHA. Ajaccio, 2005/ Paris, 2006.: Ajaccio: ville d'Ajaccio - musee Fesch, 2006. P. 221–232.
The article concerns Italian painters in the collection of Nikolai B.Yusupov and hisrelations with the european art market in Rome and Paris. ...
Added: August 14, 2015
Ajaccio: ville d'Ajaccio - musee Fesch, 2006.
The collection of articles is devoted to the collection of paintings of cardinal Fesch and the taste for French painting around 1800. ...
Added: August 14, 2015