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Творчество Генриха Сапгира и поэзия конкретизма: от типологического схождения к творческому освоению
С. 79–90.
Since the Soviet audience became aware of the existence of the “concrete” poetry in the foreign literature, modern scholars have been repeatedly turning their attention to the similarity between European “concrete” poets and members of so called “Lianozov poetry school”. This research explores such similarity through works by Genrikh Sapgir, one of the most famous “Lianozov” poets. His familiarity with German “concrete poets” was predestined by similar development of their creative literary work, and resulted in G. Sapgir’s translations of “concrete” poems by Franz Mon, Eugen Gomringer and others. He also composed original poetry based on the principle of combination and permutation.
Pavlovets M., В кн.: Время Сапгира / Отв. ред. Ю.Б. Орлицкий. М.: РГГУ, 2025.: М.: Изд-во РГГУ, 2025. С. 21–37.
Выход в 2023-2024 гг. относительно полного четырехтомного собрания сочинений поэта Лианозовской школы Генриха Сапгира, помимо очевидной возможности актуализировать в читательском внимании уже публиковавшиеся вещи этого автора и познакомить читателя с не публиковавшимися или малодоступными текстами, открывает возможность сформировать целостное восприятие наследия поэта, в эволюции и в синтезе ключевых тенденций. ...
Added: December 26, 2025
М.: Изд-во РГГУ, 2025.
В коллективную монографию, подготовленную по материалам ежегодных научных конференций в РГГУ, посвященных творчеству крупнейшего русского поэта конца ХХ в. Генриха Сапгира (Сапгировских чтений), вошли главы, затрагивающие различные аспекты изучения личности и творчества поэта и его наиболее значимые произведения. В приложение вошли избранные воспоминания о Сапгире.
Для филологов, преподавателей вузов, аспирантов и студентов, а также всех интересующихся русской поэзией ...
Added: December 26, 2025
Pavlovets M., История и теория культуры: Альманах. Москва : Издательство Московского университета 2025 № 5 С. 462–474
The article is devoted to the eschatological theme in the poems of Konstantin Kuzminsky, Genrikh Sapgir and Igor Kholin ...
Added: September 16, 2025
Азаренков А. А., Известия РАН. Серия литературы и языка 2025 Т. 84 № 3 С. 37–48
The article analyzes the polymetrical verse of Heinrich Sapgir's poetic cycle Memories with Angels in Kraskovo. It is divided into five sections. The first section examines the metrical heteromorphism in Sapgir's verse, concluding that he uses not meters per se, but rather lines, which form part of his metrical repertoire as “ready-made” forms, to create ...
Added: March 17, 2025
Pavlovets M., Slavic Literatures (ранее - Russian Literature) 2024 Т. 150 С. 91–115
Genrikh Sapgir was an author of the “Lianozovo school” of Russian uncensored poetry. He held a dual position in the literature of his time, as he was a well-known official children’s writer, which provided his relatively good (for the USSR) standard of living, while simultaneously his whole “mature” period of poetry lay in the field ...
Added: January 3, 2025
Pavlovets M., , in: The Oxford Handbook of Soviet Underground Culture.: NY: Oxford University Press, 2024. Ch. 29 P. 673–695.
The Lianozovo school–group was one of the first creative groups of the underground, arising in the second half of the 1940s and lasting until the beginning of the 1970s, a time when personal relationships and related outlooks on art were enough for practitioners of unofficial art to constitute membership in a common circle without, however, ...
Added: October 9, 2024
Pavlovets M., В кн.: Сапгир, Г. Собрание сочинений. В 4 томах. Том 3: Глаза на затылке.Т. 3.: М.: Новое литературное обозрение, 2024. С. 953–978.
Afterword to volume 3 of the collected works of Heinrich Sapgir "Eyes on the back of the head". ...
Added: February 19, 2024
М.: Новое литературное обозрение, 2024.
Новое собрание сочинений Генриха Сапгира — попытка не просто собрать вместе большую часть написанного замечательным русским поэтом и прозаиком второй половины ХX века, но и создать некоторый интегральный образ этого уникального (даже для данного периода нашей словесности) универсального литератора. Он не только с равным удовольствием писал для взрослых и для детей, но и словно воплощал в слове ларионовско-гончаровскую концепцию «всёчества»: соединения всех известных до ...
Added: February 19, 2024
Rodionova A., Новое литературное обозрение 2023 № 182 С. 216–229
This article reviews the conceptualization of the connection between poetry and technology in Russian-language poetry of the 20th century. The author relies on individual metapoetic phenomena (manifestos, autocommentaries, etc.) ranging from symbolism to metarealism. Theorizations of the contact between poetry and technology are analyzed in the context of the transformation of perception, which in one ...
Added: September 4, 2023
Pavlovets M., Studia Litterarum 2023 Т. 8 № 2 С. 10–31
The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become conventional in European art and art studies, however it has not yet established in ...
Added: June 17, 2023
Pavlovets M., В кн.: Восемь великих.: М.: РГГУ, 2022. Гл. 6 С. 414–423.
The article is devoted to the cooperation of the poet Genrikh Sapgir with the samizdat journal "Transponans" ...
Added: November 14, 2022
М.: РГГУ, 2022.
In a collective scientific study with the participation of literary critics and linguists from different cities of Russia, Belarus, Germany, Italy, Serbia and China an attempt was made to identify the main names that are most significant for Russian poetry of the late twentieth century, as well as to prove their originality and significance for ...
Added: November 14, 2022
Pavlovets M., В кн.: Россия — Германия: литературные встречи (после 1945 года).: ИМЛИ РАН, 2022. Гл. 25 С. 438–467.
Representatives of the Soviet underground who chose to be autonomous from the censored literary and artistic environment in the US SR, reg arded their po sition as a “double separation” from the pre-revolutionary and revolutionary culture of the Soviet Russia of the 1920s on the one hand and from the world culture on the other ...
Added: October 27, 2022
СПб.: RUGRAM_Пальмира, 2022.
Сборник посвящен проблемам изучения творческого наследия авторов неофициальной культуры и составлен на основе материалов научных конференций и семинаров, организованных кафедрой истории русской литературы Санкт-Петербургского государственного университета совместно с Российским государственным гуманитарным университетом (РГГУ, Москва) и Центром Андрея Белого (АБЦ, Санкт-Петербург) при участии Высшей школы экономики и Трирского универитета: «Неподцензурная поэтика: 1950-1980» (23-25.12.2017); «Ленинградская неофициальная литература» ...
Added: July 25, 2022
Анна Родионова, Новое литературное обозрение 2022 № 176 С. 254–269
The article analyzes 1950s--1960s poetry of “Lianozovo school” (especially Igor Kholin and Genrikh Sapgir) in connection with the ideology of scientific and technological progress (STP) and its influence on the aesthetic system of XX century Russian literature. This paper examines how the hallmarks of early 20th century literature (which later influenced the Soviet official aesthetics) ...
Added: June 6, 2022