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July 8, 2026
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«Глаза на затылке» для «проверки реальности»: Генрих Сапгир между традицией и художественным экспериментом

С. 21–37.
Pavlovets M.
Language: Russian
Full text
Keywords: Генрих СапгирGenrikh SapgirCollected worksСобрание сочинений

In book

Время Сапгира / Отв. ред. Ю.Б. Орлицкий. М.: РГГУ, 2025.
Время Сапгира / Отв. ред. Ю.Б. Орлицкий. М.: РГГУ, 2025.
М.: Изд-во РГГУ, 2025.
Similar publications
Время Сапгира / Отв. ред. Ю.Б. Орлицкий. М.: РГГУ, 2025.
М.: Изд-во РГГУ, 2025.
В коллективную монографию, подготовленную по материалам ежегодных научных конференций в РГГУ, посвященных творчеству крупнейшего русского поэта конца ХХ в. Генриха Сапгира (Сапгировских чтений), вошли главы, затрагивающие различные аспекты изучения личности и творчества поэта и его наиболее значимые произведения. В приложение вошли избранные воспоминания о Сапгире.  Для филологов, преподавателей вузов, аспирантов и студентов, а также всех интересующихся русской поэзией ...
Added: December 26, 2025
Эсхатология в поэмах неоавангарда (на материале творчества К. К. Кузьминского, Г. В. Сапгира, И. С. Холина
Pavlovets M., История и теория культуры: Альманах. Москва : Издательство Московского университета 2025 № 5 С. 462–474
The article is devoted to the eschatological theme in the poems of Konstantin Kuzminsky, Genrikh Sapgir and Igor Kholin ...
Added: September 16, 2025
Полиметрический стих Генриха Сапгира (на примере цикла «Мемуары с ангелами в Красково»)
Азаренков А. А., Известия РАН. Серия литературы и языка 2025 Т. 84 № 3 С. 37–48
The article analyzes the polymetrical verse of Heinrich Sapgir's poetic cycle Memories with Angels in Kraskovo. It is divided into five sections. The first section examines the metrical heteromorphism in Sapgir's verse, concluding that he uses not meters per se, but rather lines, which form part of his metrical repertoire as “ready-made” forms, to create ...
Added: March 17, 2025
Гедонизм в поэзии и имидже Генриха Сапгира
Pavlovets M., Slavic Literatures (ранее - Russian Literature) 2024 Т. 150 С. 91–115
Genrikh Sapgir was an author of the “Lianozovo school” of Russian uncensored poetry. He held a dual position in the literature of his time, as he was a well-known official children’s writer, which provided his relatively good (for the USSR) standard of living, while simultaneously his whole “mature” period of poetry lay in the field ...
Added: January 3, 2025
Collected Works, or Texts Selected and Discarded, or Under Сonstruction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving
Pavlovets M., , in: (Counter-)Archive: Memorial Practices of the Soviet Underground.: Switzerland: Palgrave Macmillan, 2024. Ch. 5 P. 141–170.
German Lukomnikov (who wrote under the pseudonym Boniface until 1994) is a poet whose work does not fit into any of the group poetics or movements in contemporary Russian literature. With equally good reasons, it has been studied in the context of conceptualism and the neo-avant-garde, minimalism and formal restrictive versification, of visual, auditory, performative ...
Added: October 8, 2024
Сапгир авангардный
Pavlovets M., В кн.: Сапгир, Г. Собрание сочинений. В 4 томах. Том 3: Глаза на затылке.Т. 3.: М.: Новое литературное обозрение, 2024. С. 953–978.
Afterword to volume 3 of the collected works of Heinrich Sapgir "Eyes on the back of the head". ...
Added: February 19, 2024
Сапгир, Г. Собрание сочинений. В 4 томах. Том 3: Глаза на затылке. .
М.: Новое литературное обозрение, 2024.
Новое собрание сочинений Генриха Сапгира — попытка не просто собрать вместе большую часть написанного замечательным русским поэтом и прозаиком второй половины ХX века, но и создать некоторый интегральный образ этого уникального (даже для данного периода нашей словесности) универсального литератора. Он не только с равным удовольствием писал для взрослых и для детей, но и словно воплощал в слове ларионовско-гончаровскую концепцию «всёчества»: соединения всех известных до ...
Added: February 19, 2024
Генрих Сапгир как поэт-трансфурист
Pavlovets M., В кн.: Восемь великих.: М.: РГГУ, 2022. Гл. 6 С. 414–423.
The article is devoted to the cooperation of the poet Genrikh Sapgir with the samizdat journal "Transponans" ...
Added: November 14, 2022
Восемь великих
М.: РГГУ, 2022.
In a collective scientific study with the participation of literary critics and linguists from different cities of Russia, Belarus, Germany, Italy, Serbia and China an attempt was made to identify the main names that are most significant for Russian poetry of the late twentieth century, as well as to prove their originality and significance for ...
Added: November 14, 2022
«У нас не автоматическая станция»: фильтры технического воображения в поэзии Генриха Сапгира и Игоря Холина
Анна Родионова, Новое литературное обозрение 2022 № 176 С. 254–269
The article analyzes 1950s--1960s poetry of “Lianozovo school” (especially Igor Kholin and Genrikh Sapgir) in connection with the ideology of scientific and technological progress (STP) and its influence on the aesthetic system of XX century Russian literature. This paper examines how the hallmarks of early 20th century literature (which later influenced the Soviet official aesthetics) ...
Added: June 6, 2022
Всеволод Некрасов об "этапах" и "методах" своего творчества: два разговора с Владиславом Кулаковым в 1990 году. Второй разговор
Zykova G. V., Вестник современного искусства "Цирк "Олимп"" 2019 № 31 С. 20–32
Transcript of an interview given by Vsevolod Nekrasov to Vsevolod Kulakov in 1990; features of concrett and conceptual poetry in Nekrasov' work are discussed. Edited and commented by G.V.Zykova ...
Added: June 12, 2020
Всеволод Некрасов об "этапах" и "методах" творчества: два разговора с Владиславом Кулаковым в 1990 году. Разговор первый
Zykova G. V., Вестник современного искусства "Цирк "Олимп"+ TV" 2019 № 30 С. 10–25
Transcript of an interview about Lianozovo art group, given by Vsevolod Nekrasov to Vladislav Kulakov in 1990. Edited  and commented by G. V. Zykova. ...
Added: June 12, 2020
«И все что образует пустоту»: деструкция словесной формы в поэзии Генриха Сапгира
Pavlovets M., Новое литературное обозрение 2018 Т. 5 № 153 С. 252–268
Based on Genrikh Sapgir’s poetry, including some previously unpublished texts, the article studies different forms of destruction of the word structure, from the “half-worded poetry” and “blank” texts to the replacement of absent or destructed text with “word equivalents”. We can sum up that Sapgir’s poetry falls somewhere in between the new- and the post-avant-garde ...
Added: September 26, 2018
Торжество метода: стихотворная поэтология Генриха Сапгира
Pavlovets M., В кн.: Подробности словесности: Сборник статей к юбилею Людмилы Владимировны Зубовой.: СПб.: Свое Издательство, 2016. С. 251–258.
The article is concerned with the analysis of metapoetic statements of Genrikh Sapgir that were made by him in poetic form – in the shape of «programmatic» poems. In his work, the poet preferred to dispense with creative manifestos or forewords: there is extremely small number of them in Sapgir’s heritage. But at the same ...
Added: December 1, 2016
Функция парафразиса романа Ф.Достоевского "Бесы" в повести Г.Сапгира "Армагеддон"
Pavlovets M., В кн.: Сусрети народа и култура. Меħдународни тематски зборник.: [б.и.], 2015. С. 147–164.
This article analyses the later G. Sapgir’s work – his novel “Armageddon”. Apocalyptic problematic of work is polemically sharpened against the eschatology "historical avant-garde" of the first third of the 20th century and the eschatological expectations "nuclear war" of the late Soviet time. It rather takes the form of reflection on "finalistic" culture concept, which ...
Added: August 24, 2015
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