?
Пружинки Гамбурга: граффити-райтер Oz и невидимое сообщество видящих
A particular case which has been chosen for this paper deals with a unique personal project by Hamburg graffiti writer Oz, one of the oldest and prolific participants of Hamburg graffiti and street art scene. His personal project, successful in terms of public recognition (and public hate), includes 30 years of painting simple but incalculable symbols on nearly every surface in Hamburg. Oz presents a viewer with a different image of the city, creating an open and fluid urban “community of vision” as well as the conditions for “street art” to develop itself in the city in a very innovative way. The paper brings together several methodological fields: visual studies, which are comparatively less presented in the existing field of debates on street art, with more traditional sociology and social anthropology