Derivational verbal suffixes in Abaza
This paper discusses the morphological and syntactic means of expression of participants in morphology and syntax of West Circassian (Adyghe) focusing on the argument vs adjunct characteristics of these means. West Circassian provide evidence for the non-discretness of the argument/adjunct contrast but also shows the necessity to distinguish between argument/adjunct properties in morphological expressions and in syntactic expressions.
Progressive periphrases in German are analyzed in a quantitative and qualitative way. The subject of the analysis is progressive constructions in the XVII–XIX centuries. It is stated that the process of their formation was not homogeneous, as there were two forms of progressive periphrases during the IX–XV centuries that were existing concurrently and were interchanging. It is determined that in any period the most frequent periphrases are im-construction and am-construction, moreover, the frequency of the latter is increasing. It is confi rmed that the process of grammaticalization mostly referred to contraction of locative prepositions and defi nite articles, which lost their lexical meaning in the development of progressive periphrases.
We discuss the data from Adyghe (Northwest Caucasian), Udi and Tanti Dargwa (Northeast Caucasian) related to the presence and absence of constraints on relativization from syntactic islands.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.