Plastic Beach Utopia: GORILLAZ’ Multimedia Concept Project in the Context of Contemporary Popular Music Culture
Actes du Congrès "Pluralisme et Reconnaissance" 22-24 juin 2006, Unesco, Paris. The present volume presents fully original articles, prepared for publication basing upon the texts of keynote reports presented at plenary sessions of the 9th International Congress in Philosophy and Cultural Studies, which was conducted by the St. Petersburg Branch of the Russian Institute for Cultural Studies and the UNESCO Chair for Comparative Studies of Spiritual Traditions, their Specific Cultures and Inter-religious Dialogue, functioning on the basis of the aforementioned Instiute.
Gastronomic consumption practices are one of the main ways of forming the corporeal human identity, a marker of his/her cultural and social status. Specificity of food as a material medium of symbols and signs, which are assimilate d at the level of the most direct corporeal experience, determines its consumption as a complex system of communication links. Today, the practice of food consumption in the form of fast food is especially relevant and registers new forms and ways of communication, not only gastronomic, but also reflecting power and new gender relations. It can be argued that it is in the form of fast food (Mac-food) the symbolic content of food overcame and absorbed its physical and technical aspects.
Ernst Bloch and His Contemporaries is a much needed concise yet comprehensive overview of Ernst Bloch's early and later thought. It fills an important gap in research on the history of German thought in the 20th century by reconstructing the contexts of Bloch's philosophy, while focusing on his contemporaries - Georg Lukács, Walter Benjamin, and Theodor Adorno. Ernst Bloch's influential ideas include his theory of utopian consciousness, his resolute inclination to merge aesthetics and politics, rehabilitation of hope, and atheistic conception of Christianity. Although Bloch's major early texts, Spirit of Utopia and Traces, have recently been translated into English, and there has been renewed interest in Bloch over the last 15 years, he is still relatively unknown compared to other left German-Jewish intellectuals. Ivan Boldyrev places Bloch's often enigmatic prose within contexts more familiar to English-speaking readers, and outlines the most important messages in Bloch's legacy still relevant today to European intellectual discourse, in particular aesthetics and philosophy of history.
In response to the grim realities of the present world Jewish thought has tended to retreat into eschatological fantasy, but rather to project utopian visions precisely on to the present moment, envisioning redemptions that are concretere, immanent, and necessarily political in nature. In difficult times and through shifting historical contexts, the messianic hope in the Jewish tradition has functioned as a political vision: the dream of a peaceful kingdom, of a country to return to, or of a leader who will administer justice among the nations. Against this background, it is unsurprising that Jewish messianism in modern times has been transposed, and lives on in secular political movements and ideologies. The purpose of this book in to contribute to the deeper understanding of the relationship between Jewish thought, utopia, and revolution, by taking a fresh look at its historical and religious roots. We approach the issue from several perspectives, with differences of opinion presented both in regard to wath Jewish tradition is, and how to regard utopia and revolution. These notions are multi faceted, comprising aspects such as political messianism, religious renewal, Zionism, and different forms of Marxist and Anarchistic movements.
In the article the author looks into the theoretical prospects of socialist utopia rebirth as the so called horizon line that is impossible to cross, but easy to see as if it were reachable. The author shows that post-Fordism capitalizing and alienating nonmaterial labor has become a real problem for the radical negation in the framework of neo-Marxist utopia since under such conditions any social alternative is in danger of becoming a part of the capitalist reality. Such disciplinary power of the modern capitalist logic generates rejection of the political action as it is rather than a protest. In this situation radical Marxist utopia comes down to the affective negation that cannot become a subject to reflection. Its creators and proponents do not want to find themselves in the capitalist present, aspiring in their expectations into the future that will not grow out of the modern capitalism and will never be capitalism in principle.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.