Rex ludens. Ономастические шарады средневековых государей
The article deals with the structural and semantic analysis of theonymic lexis in English texts of New Testament. Both syntagmatic and paradigmatic relationship between proper and appellative names are shown. It is specially noted that the large amount of theonyms consists of appellatives which have come to proper names class as the result of onymization processes.
The article deals with the structural and semantic analysis of theonymic lexis in English texts of the Gospel. Both syntagmatic and paradigmatic relations between proper and appellative names are shown. It is specially noted that a large amount of theonyms consists of appellatives which have become proper names as the result of onymization processes.
This article is dedicated to the visigothic symphony, incarnated in the last canon of IV council of Toledo, when the Church took a possibility to form an ideology and to influence the reality. TheparticipantsoftheIVcouncilofToledodecreed that a king must be elected by bishops and nobility, and this fact testifies theirs political ambitions. AtonetheChurch (representedby most educated bishops, for example, Isidore of Seville and his disciples) imagines itself as protector of right king. Theparticipantsofcouncil created an ideal of governor, and the real king was obliged to follow it, otherwise he may deprive himself of the Churchs supporting. Butthejustandmerciful king disposed of Churchs defence: and the state criminal, who had encroached upon his life and throne, where anathematized. The ideas, formulated on IV council of Toledo, were developed in the kings code of law (Liber Iudiciorum), promulgated in 654.
"The Millennial Kingdom" is an outline of medieval christian culture, from the time of Fathers up to its apogee around 1300, the age of Dante. The author does not pretend to have described and analyzed all facets of spiritual life during this long period, he focuses on that ones, in which intellectuals, writers and painters left especially deep imprints. The reader will find here, together with great authors and masterpieces, little known and studied monuments in author's photographs, as well as texts translated from latin, old french and other late medieval vernacular languages. These quotations from the primary sources are allways accompanied by polemical reflections on several opinions and clichés, methodological positions and estimations about the Middle Ages, current among historians and in human sciences in XXth and XXIth centuries.