К интерпретации "Подражаний древним" К.Н. Батюшкова
The cycle "Imitations of the Ancients" (1821) is described in the article as an episode from Batyushkov's reception-derived practices. Sources for three of the six miniatures in "Imitations" are found (fragments of Saadi's "Gulistan"as adapted by J.-H. Herder), as well as the syntactic-compositional model for another miniature ("Когда в страдании девица отойдет..."/"When the maiden, suffering, passes away..."). Analysis of how this model functions provides the basis for a hypothesis for precising the manner in which topoi in this text are linked to its plot.
The first part of this book is a collection of essays by an international set of scholars, schedding new light on Lydia Ginzburg's contribution to Russian literature and literary studies, life-writing, subjectivity, ethics, the history of the novel and trauma studies. The second part is comprised of six works by Ginzburg that are being published for the first time in English translation.
The article contains the contrastive analysis of the ways homeland/motherland is presented in Russian and English poetry. Titles of the poems devoted to their native country become material for this analysis.
The reports made at the 4,h Mandelstam Readings held on September 18-22,2011, comprise the best part of the book, but it also includes other articles on the life and works of Mandelstam. The first part called Mandelstam and Poland deals with interactions between the Russian poets life and Polish culture, the second part offers several studies of the poet’s biography, the third part - the Studies - is made up by articles on different aspects of Mandelstam’s textual studies and poetics. The part Reflexions includes materials on Mandelstam’s perception in the Russian cultural history. The book comprises a wide spectrum of voices and different approaches to Mandelstam, from academic ones to poetic ones. Among those who supplied their writing for this collection are Adam Pomorski, Iwona Smolka, Pyotr Mitzner, Anne Faivre-Dupegre, Sergey Vasilenko, Irena Verblovskaya, Aleksandr Zholkovsky, Marietta Chudakova, Leonid Vidgof, Vladimir Mikushevich, Leonid Katsis, Oleg Lekmanov, Natalya Gorbanevskaya, Uriy Freidin, Pavel Nerler, Lada Panova, Roman Timenchik, Boris Frezinsky, Irina Surat, Pavel Uspensky, Anna Yeskova, Natalya Petrova, Heinrich Kirschbaum etc.
The article is a critical review of the current condition of canon formation studies in Russia in its connection to Pushkin epoch and ‘golden age’ of Russian Literature. Besides, article reviews Pushkin reading which took place at the University of Tartu