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Современные подходы к изучению популярной музыки в зарубежной науке: popular music studies
С. 21–30.
Kolesnik A.
Publication based on the results of:
In book
М.: Государственный институт искусствознания, 2020.
Поликарпова Д. А., Социологическое обозрение 2026 Т. 25 № 3 С. 432–441
This article is a review of Natalia Samutina's collection of texts «This Music is Too Beautiful: texts on cinema and more» (Moscow: Novoye Literaturnoye Obozrenie, 2025), edited by the author's colleagues, Boris Stepanov and Irina Kaspe. Considering the volume as a «seismograph of time», the author reconstructs the intellectual context of Russian film theory in ...
Added: October 4, 2026
Tyulin D., Филоlogos 2023 № 2(57) С. 66–72
The article studies the peculiarities of the implementation of the poetic "persona" and the lyrical hero in the poetry of D. Bowie. The album cycle "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" is the first work of the poet, in the center of which there is a poetic "persona" (the ...
Added: March 10, 2025
Tyulin D., Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология» 2023 № 5 С. 129–137
. Features of Buddhist philosophy as interpreted by the counter cultural writer J. Kerouac play an important role in the artistic self-determina tion of the British poet and musician D. Bowie and the formation of his creative personality. The article suggests that Kerouac’s motif of the road has Buddhist philosophical overtones, which Bowie adopts to create ...
Added: March 10, 2025
Medakin S., Вестник РГГУ. Серия «Литературоведение. Языкознание. Культурология» 2022 Т. Ч. 2 № 6-2 С. 287–297
The article identifies and analyzes the formation of images of the past in popular music on the example of the tracks from the album “Heroes” by the band “Sabaton”. The work studies the representations of the war images in popular music in the context of the original works of the musical group “Sabaton”, interviews of ...
Added: April 3, 2024
Историческая память о Первой мировой войне в современных медиа (на примере музыкальных произведений)
Чупрасова Д. С., Коммуникации. Медиа. Дизайн 2018 Т. 3 № 3 С. 113–122
В данной статье исследуется репрезентация исторической памяти о событиях Первой мировой войны (1914–1918 гг.) в современных медиа. Для рассмотрения взяты музыкальные произведения, посвященные военным событиям, как известных в России и за рубежом групп, так и малоизвестных. Выводятся закономерности между результатом войны и особенностями исторической памяти, а также – о популярных темах в медиа. ...
Added: November 25, 2021
Victoria Vasileva, Visual Studies 2023 Vol. 38 No. 3-4 P. 711–721
The paper is focused on the Russian-language literature on visual culture in the period the 1990s - the 2010s. Growing contact between Russian and international scholars, after the Soviet Union collapsed in 1991 coincided with the world-wide process of transformation of historical research in the advent of a society of visual culture, which meant changes in academic ...
Added: October 25, 2021
Stepanov B., Russian Sociological Review 2020 Vol. 19 No. 4 P. 152–177
Throughout the 20th century, cinema has played, and, to some extent, continues to play a key role in shaping the social imagination and anthropology of modern human. Nevertheless, as a review of English scholarly literature shows, cinema, unlike art and music, remains a marginal subject of analysis for sociologists. The article attempts to consider the ...
Added: March 14, 2021
М.: Государственный институт искусствознания, 2020.
Сборник статей по материалам Международной научно-практической конференции (23 ноября 2018 года) ...
Added: December 8, 2019
Kolesnik A., В кн.: Русская рок-поэзия: текст и контекстВып. 19.: Екатеринбург, Тверь: Уральский государственный педагогический университет, 2019. С. 81–88.
The paper analyses Russian heavy metal music as a musical gen-re. As a key component of the genre, a fantastic theme stands out, which was presented in song lyrics, as well as in music, visual images and live performanc-es. Based on the material of several heavy metal bands of the 1980s and 1990s («Black Coffee», ...
Added: October 9, 2019
Orekhov B., В кн.: Русская рок-поэзия: текст и контекстВып. 19.: Екатеринбург, Тверь: Уральский государственный педагогический университет, 2019. С. 204–209.
В статье даётся построчный комментарий к тексту песни Б. Гребенщикова «Праздник урожая во дворце труда», предлагаются варианты интерпретаций образного ряда. Концептуальная рамка для декодирования текста – отклик на события переломной эпохи, контраст 1990-х и современности, интертекстуальные источники – другие тексты того же автора, артефакты массовой культуры, язык советского времени. ...
Added: September 25, 2019
Gavryushenko V., Научный журнал "Студенческий", Россия 2017 № 6 С. 27–32
Известно, что русский рок в период с 1970-ые по 1990-ые годы тяготеет к религиозному мировосприятию, преимущественно к христианскому. В период с 1970-ые по 1990-ые годы русская рок-музыка объявляет своеобразный протест устоям советской культуры, особенно в религиозном аспекте, так как рок-музыка – это жанр, ориентированный на максимально острое выражение наиболее актуальных для представителей своей аудитории слушателей ...
Added: November 19, 2018
Stepanov B., Laboratorium. Журнал социальных исследований 2017 Т. 9 № 3 С. 104–134
This review essay examines debates on cultural populism among English-speaking cultural
theorists in the second half of the 1980s and early 1990s. These debates were inspired
by the development of the studies of popular culture and had a significant influence
on the transformation of the landscape of cultural studies in the context of their
academic and public expansion. The ...
Added: February 26, 2018
Kolesnik A., Известия Уральского федерального университета. Серия 2: Гуманитарные науки 2018 Т. 20 № 4 (181) С. 183–196
The article considers the specifics of audiovisual historical sources in popular musical studies and describes the main steps of the source analysis, focusing mostly on American and British popular music of the 20th century. The understanding of the specifics of audiovisual sources and popular music developed in the fields of audiovisual studies and popular music ...
Added: November 28, 2017
Parsamov V., Вестник РГГУ. Серия: История. Филология. Культурология. Востоковедение 2016 № 7 (16) С. 68–88
At the very core of Frank's perception of culture here is the primary 1-You relation. On the one hand, it separates the culture from the world of distinct things in which there are the subject-object connections; on the other hand, it transfers the researcher's position inside the space of culture. An art is the most ...
Added: December 6, 2016
Nosachev P., Вестник Православного Свято-Тихоновского гуманитарного университета 2016 № 4 С. 105–120
Interdisciplinary studies have long become an integral part of modern science, but in the fi eld of religious studies and studies in Western esotericism, they are still not suffi ciently widespread. In the article, well-known methodology of the study of a cultural product, developed by the Birmingham school of cultural studies is applied to the Western ...
Added: September 6, 2016
Kolesnik A., Новая и новейшая история 2016 № 5 С. 88–103
Британская культура традиционно является историчной, обращение к различным сюжетам национального прошлого в массовой культуре Великобритании, в популярной музыке в частности, к настоящему времени уже стало ее отличительной чертой. Настоящее исследование сосредоточено на анализе исторической образности и ее трансформации на протяжении 1960–1980-х годов, и сфокусировано на следующих вопросах: каким образом и какое прошлое было представлено на ...
Added: January 24, 2016
Stepanov B., Общественные науки и современность 2015 № 6 С. 163–173
The project of cultural sociology developed by Boris Dubin and his colleagues is often remained out of frames in the discussion of theirs works. Thorough consideration of the principles of cultural analysis which is based on the works of Boris Dubin and Lev Gudkov in the field of sociology of literature can give us an ...
Added: November 29, 2015
Kolesnik A., / Series WP "Working Papers of Humanities". 2015. No. 104.
In the late 1960s, British popular music, evolution of its aesthetic and thematic traits had some peculiarities. Light guitar-based music was flavored by English folklore and exceptional British subjects, live performances demonstrated certain theatricality, imagery of rock bands was linked to British cases becoming a peculiar way of exhibiting their ‘Englishness’. As a result of ...
Added: September 21, 2015