В мире этом все как коленце бамбука - японская поэзия хайку в современной русской поэзии
The article compares Russian haiku poetry of the 21st century to the Japanese haiku tradition and the earliest and most important translations of this poetry in Russian.
The article deals with the unknown poem of N.I. Yazvitsky that the author wrote in the period of mental disorder. We suggest some methods to work with such texts.
One of the particular characteristics of Russian verse is its high level of rhythmic flexibility, attributable to a high frequency of pyrrhic feet. This research attempts to reconstruct how this situation was built on earlier periods of the development of Russian verse. Its results place in doubt the classic notion that the prevalence of pyrrhic feet arose out of the substantial length of the Russian word. A comparison of how the rhythm of iambic tetrameter developed in Dutch, German, and Russian verse shows that the level of metrical flexibility does not depend on the average length of the rhythmic (phonetic) word in a language. The historical conditions surrounding the emergence of syllabotonic verse and the evolution of versification clearly played a decisive role in the prevalence of pyrrhic feet in Russian verse.
The article contains the contrastive analysis of the ways homeland/motherland is presented in Russian and English poetry. Titles of the poems devoted to their native country become material for this analysis.
The cycle "Imitations of the Ancients" (1821) is described in the article as an episode from Batyushkov's reception-derived practices. Sources for three of the six miniatures in "Imitations" are found (fragments of Saadi's "Gulistan"as adapted by J.-H. Herder), as well as the syntactic-compositional model for another miniature ("Когда в страдании девица отойдет..."/"When the maiden, suffering, passes away..."). Analysis of how this model functions provides the basis for a hypothesis for precising the manner in which topoi in this text are linked to its plot.
Proceedings of the International Scientific Conference "Russian poetry from Pushkin to Brodsky. What's next?" 29-30 September 2011
The reports made at the 4,h Mandelstam Readings held on September 18-22,2011, comprise the best part of the book, but it also includes other articles on the life and works of Mandelstam. The first part called Mandelstam and Poland deals with interactions between the Russian poets life and Polish culture, the second part offers several studies of the poet’s biography, the third part - the Studies - is made up by articles on different aspects of Mandelstam’s textual studies and poetics. The part Reflexions includes materials on Mandelstam’s perception in the Russian cultural history. The book comprises a wide spectrum of voices and different approaches to Mandelstam, from academic ones to poetic ones. Among those who supplied their writing for this collection are Adam Pomorski, Iwona Smolka, Pyotr Mitzner, Anne Faivre-Dupegre, Sergey Vasilenko, Irena Verblovskaya, Aleksandr Zholkovsky, Marietta Chudakova, Leonid Vidgof, Vladimir Mikushevich, Leonid Katsis, Oleg Lekmanov, Natalya Gorbanevskaya, Uriy Freidin, Pavel Nerler, Lada Panova, Roman Timenchik, Boris Frezinsky, Irina Surat, Pavel Uspensky, Anna Yeskova, Natalya Petrova, Heinrich Kirschbaum etc.