Каталог произведений Н.Б.Никогосяна, представленных на выставке
This article studies the role of phylosophy of symbolic phorms of E.Cassirer in the development of the methods of iconography school and Ghehtalt Psycology in Arts Studies. Particular role is dedicated to the problem of arts perseption through the pryzm of iconologic mathod in Ghestalt Psycology.
The article examines the experience of China's investment policy aimed at creating favorable conditions to attract investment, particularly foreign direct investments, to the most important country's industries. In recent years, this policy (the establishment of free economic zones, trade liberalization, the establishment of an appropriate legislative framework, state support for investors) has brought noticeable positive results, but with the beginning of the global financial crisis allowed to avoid the most painful consequences. This experience taking into account all its particularities can be useful for our economy.
O. A. Zhukova, A. A. Kara-Murza and M. G. Talalay are well known as researchers in the Russian and Italian culture. New work, written in collaboration, is dedicated to Russian writers, philosophers, artists, travelers, who had visited the old Amalfi in southern Italy. The relics of St. Andrew the Apostle are a spiritual treasure of the city for over 800 years.The basis of historical and philosophical program of the book is studies of the intellectual biographies of prominent figures of Russian literature, philosophy and art of the nineteenth and twentieth century. They had inspired by the beauty of Amalfi, embodying it in his works.
As a digital artist’s tools, the following digital imaging technologies were considered in the article: creating abstract images using a neural network without an input image, base don’t he artist’s psycho-emotional state; creation of images using a neural network - a stylist, at the entrance of which there is a base image and a stylization file (artist’s picture, texture file, another image); technology of soft ware stylization of image processing and technology of fractal visualization. The developed technologies and the described algorithms can be useful for digital artists of such creative areas as: design, graphics, painting, architecture, cinema, VR, light installations.
This paper pertains mainly to art cognitonics, it is a significant branch of cognitonics, or the science about the human being in the digital world. The first aim of the paper is to consider a way of achieving cognitive engagement of the adolescents and university students at lectures on art cognitonics. The central idea is to expand the conceptual universe of the learners by means of messages conveyed by outstanding canvases and sculptures. Art cognitonics changes the perception of a work of art by the beholder in comparison with the traditional approach. The second aim is to state a new conception of a sci-fi museum (a science fiction museum), this conception is underpinned by cognitonics. The principal idea of the new conception is the creation of a thought-provoking space aiming at stimulating the process of perception of the power of thought, regarding thought as a value.
Textbook "Introduction to the basics of the art of ancient Greece" helps to form the main idea of the periods and stylistic features of ancient Greek art, show and explain the most important laws of artistic processes in the culture of ancient Greece, as well as to identify the relationship between the formal-shaped structure of the work and the priority value orientations created its culture. A summary of the main stages of Ancient Greek art is accompanied by a representative of extortion illustrations (more than 1900 images), allowing you to acquaint the reader with the paramount ideas about the historical development of the art of ancient Greece, to identify the stylistic features of the main types of ancient Greek art, as well as to reveal and explain the most important laws of artistic processes in culture of ancient Greece. The purpose of this guide - to teach students to work with information, primarily visual, to help develop the ability to determine the stylistic features of each of the sites studied stages of ancient Greek art. The manual is intended for students - art historians, students of the history and culture of the ancient world and a wide range of readers