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Regular version of the site

Book chapter

«Новая буржуазия» в советской сатире 1920-х годов

С. 230-236.

The article shows that the artistic image is inseparable from the content, in relation to which it acts as a form. The nature of images is determined not only by peculiarities of language and artistic conception, embody means of language, but of the reality.The author describes how the official propaganda in every way slighted private owners, forming in the public consciousness the image of the exploiter and the class enemy. And at the end of the 1920s there was a unification of the satirical approaches because of the worsening foreign policy situation, the struggle against the Soviet bureaucracy and the advent of private owners around the "socialist front".

In book

Кн. 137. М.: Московский общественный научный фонд, 2001.