Book chapter
XVI век. Брейгель и Караваджо. Мастер и мастерская. Рынок и комментарий
С. 370-401.
Language:
Russian
We use cookies in order to improve the quality and usability of the HSE website. More information about the use of cookies is available here, and the regulations on processing personal data can be found here. By continuing to use the site, you hereby confirm that you have been informed of the use of cookies by the HSE website and agree with our rules for processing personal data. You may disable cookies in your browser settings.
The article is devoted to the history of collection of French painting of N.B.Yusupov, his relationships with Parisian art market and modern French painters.
The collection of articles is devoted to different aspects of art collecting and art market in France at the end of the 18th - beginning of the 19th centuries.
This article explores the sociocultural situation of the Petersburg Cooperative of Artists (Artel) and the Peredvizhniki and in doing so interprets the nature of Russian realist (in many respects, populist) art through the prism of the new reality artists of the time faced: the commodification of art and the commercialization of art’s circulation and distribution.
The article concerns the relations between the prince of Nikolai Borisovich Yusupov (1750-1830) and the leading parisian dealer of the epoch Jean-Baptiste Le Brun.
The article concerns Italian painters in the collection of Nikolai B.Yusupov and hisrelations with the european art market in Rome and Paris.