«Пространственный поворот» в современных медиаисследованиях
The article is devoted to the development of methodology of sociological analysis of mediaspace. The author distinguishes three dimensions of mediaspace (mediated, mediatized and media), shows the main directions and opportunities for studying each of them. The presented theoretical model allows us to investigate mediaspace on an interdisciplinary level, in the context of different theoretical and methodological approaches.
To date, Russian cosplay community has thousand members from all over the country, and the word "cosplay" is widely used in media. Despite its prominence, cosplay remains a fan practice or, using Henry Jenkins’ term, participatory practice. In participatory culture (or cultures) fans not only consume media content but actively interpret it and make their own. This article attempts to restore the history of Russian cosplay – its development and its perception. Using media publications from newspapers and magazines that are not directly related to mass culture, we gain a view from outside the community and analyze different context of the usage of the word "cosplay". In sum, we try to answer the question if russian cosplay community and cosplay itself are stigmatized as a part of participatory culture or not.
The conference materials are devoted to research of systematic fundamentals of the contemporary journalism,
The article analyses the questions of legal and ethical regulation of media space in Russia. As the main subjects participating in the generation of operating impacts on the communicative space of modern media, the author analyzes the state governing bodies, the owners, various corporate and non/state structures which are able to effect the situation.
This research is devoted to the analysis of various methods which are represented by the most perspective for the analysis of content of modern media space.
Article is devoted the analysis of features of use of case texts in modern media space. Features of use of case elements in various kinds of communications are considered.
The Arctic sea-ice reached record lows in 2007, and again in 2012. In the international news media, these moments were reflected via striking images of polar bears, crumbling icechunks and the use of more alarmist metaphors about global climate change. Through these narratives, and despite the periodic disappearance of climate change from media reports due to issue fatigue, a sharper narrative of climate change has entered public discourse: a new global reality where the future is no longer a given. Going beyond media studies as well as descriptive or highly scientific accounts of the impacts of climate change in the Arctic, this book explores how both historical and contemporary mediations, scientific narratives and satellite technology simultaneously capture and reconstruct this new reality of the Anthropocene, where human activities shape the planet. By highlighting the linkagesbetween science, media, environmental change and geopolitics, the informed contributors to the volume invite the reader to reflect on what is local and what is global in today's connected mediatized world.