Философия цифровой цивилизации и трансформация медиакоммуникаций
The monograph is devoted to the study of the links between the civilization processes of globalization, informatization and digitalization with the processes occurring in communication systems mediated by media technologies. It is proposed to fit all these processes into the context of a categorical apparatus based on the concepts of “life world”, “personality world”, “information and communication universum”, “communicative matrices”, etc.
Due to the breadth and heterogeneity of the problems raised in this work, a large number of sources of a philosophical, sociological, psychological, and political nature were used to describe and analyze them.
The monograph is intended for specialists in the field of media communications. This book may be useful for graduate students in the humanities.
The article (Continued from #8) deals with the issues connected with the impact of the interior institutional, cultural and communicative matrices on the functioning of Russian media and television in particular, as the most popular and influential resource of public communication. The author reveals the link between institutional matrices, defining the life of the society in general, communicative matrices, regulating social communication, and media matrices setting the limits of professional activity in the sphere of television.
The article examines some issues connected with the impact of the interior institutional, cultural and communicative matrices on the functioning of Russian media and television in particular, as the most popular and influential resource of public communication. The author reveals the link between institutional matrices, defining the life of the society in general, communicative matrices, regulating social communication, and media matrices setting the limits of professional activity in the sphere of television.
The monograph is devoted to the analysis of the transforming im-pact of digital civilization on the functioning of such forms of human structures as social associations, societies and communities. A new con-ceptual apparatus and methodological approaches to understanding the stated problem are proposed. Significant differences between digital communities and analog ones are shown. The monograph is intended for specialists in the field of media com-munications. It can be useful for postgraduate students of humanitarian areas of study.
The article is devoted to the analysis of the deep structures of communication, hidden from direct perception, but defining the main features of any communication. Currently, to refer to this structure, the concept of information and communication universum is used. The article shows the formation of this category, and the prospects for its use for the study of complex communicative processes.
The subject of this article is the explication of segmentation and profiling of media communications. The rationale is based on a combination of interdependent industrial and educational determinants. A case study method is used on the example of the best practices of National Research University Higher School of Economics, where ‘Media communications’ was developed. It is an innovative direction for the Russian educational space, which is currently included in the curriculum of more than ten universities of the country (not only in the federal center but in the regions as well). The research also involved a secondary analysis of statistical data. The productivity of this direction is de-termined both for the Russian media industry and higher education.
The article is devoted to the problem of communicative features of the constructive structure of the font identity in the city branding sphere. This problem is considered in the framework of the nonlinearity of visual communication based on typology, comparative and structural analysis of the font identity of the world's cities. The article analyzes the brand identity of the city of Murmansk (2015) with the use of qualitative research methods: an expert interview with the designer of Murmansk identity.
This paper explores, mainly from a legal perspective, the extent to which the Russian regulations of traditional TV and online audiovisual media policies have been consistent with the Council of Europe (hereinafter CoE) standards. The study compares between the CoE and Russian approaches to specific aspects of audiovisual regulation including licensing, media ownership, public service media, digitalization, and national production. The paper first studies the CoE perspective through examining its conventional provisions related to audiovisual media, the case law of the European Court of Human Rights as well as the CoE non-binding documents. The paper then considers Russian national legislation governing audiovisual media and the Russian general jurisdiction courts’ practice on broadcast licensing. The paper suggests that the Russian audiovisual regulations are insufficiently compatible with the CoE standards and more in line with the Soviet regulatory traditions.
Systems Thinking in Museums explores systems thinking and the practical implication of it using real-life museum examples to illuminate various entry points and stages of implementation and their challenges and opportunities. Its premise is that museums can be better off when they operate as open, dynamic, and learning systems as a whole as opposed to closed, stagnant, and status quo systems that are compartmentalized and hierarchical. This book also suggests ways to incorporate systems thinking based on reflective questions and steps with hopes to encourage museum professionals to employ systems thinking in their own museum. Few books explore theory in practice in meaningful and applicable ways; this book offers to unravel complex theories as applied in everyday practice through examples from national and international museums.