Как смотреть на картины
Looking at pictures can be a delightful, exciting or moving experience, but some pictures – and these are often the most rewarding – require some explanation before they can be fully understood. Delving into the origins, designs and themes of over 100 pictures from different periods and places, this book illuminates the art of looking at – and talking about – pictures. Woodford shows how you can read a picture by examining the formal and stylistic devices used by an artist, and explores popular themes and subject matters, and the relationship of pictures to the societies that produced them. The book is supplemented by a glossary of key terms, ranging from art movements and technical terms to religious and classical terminology, to give readers all the information they need at their fingertips.
In addition to an exhaustive anthology with over fifty historical documents written between 1913 and 1964 translated directly from Russian - several of them previously unpublished - this publication includes essays and texts by Boris Groys, Manuel FontÃ¡n del Junco, Christina Kiaer, Ekaterina Degot, Fredric Jameson, Irina Leytes, Alessandro De Magistris, John Bowlt, Hubertus Gassner, Eckhart Gillen, Aage Hansen-LÃ¶ve, Michael Hagemeister and Evgeny Steiner. (From the editorial review).
This paper describes the experience of the application of the design approach which is used in the HSE - Nizhny Novgorod in the teaching of accounting (financial) accounting, auditing, economic analysis. The stages of a complex project, as benefits of this approach and the problems that arise.
This collection of articles is devoted to the problems of philology, culture, philosophy and other humanitarian sciences which are of special interest now days.
The article addresses the views of G. Shpet, L. Vygotsky, M. Bakhtin andothers on art's influence on one's personality andcognitive andaffective spheres. They hadtheir own understanding of the whole issue andof catharsis in particular. The authors focuses on the analysis of inner andouter forms of works of art andassumes that, if reached, the inner form has the strongest influence on man: it enriches andbroadens one's own inner form of active contemplator of work of art.
Art, cultural consciousness, cultural-historical psychology, inner andouter form, Perception, Understanding, catharsis
New trends, technologies and symbols of the "Design and advertisement 2013" exhibition with illustrated examples are described in the article.
In this paper the comparative characteristics of the РС ASONIKA-K and PМ of reliability calculations are given.
This essay presents taxonomy for analyzing objects in films and applies it to the work of Canadian filmmaker, Denys Arcand. This kind of analysis aims to identify and analyze how the most representative daily objects are used in films. The following three films were analyzed for the purposes of this paper: Le déclin de l´empire américain (The Decline of the American Empire, 1986), Les invasions barbares (The Barbarian Invasions, 2003) and L’âge des ténèbres (Days of Darkness, 2007). This research was developed at Concordia University, Montreal, Canada and supported by the Foreign Affairs and International Trade, Canada (DFAIT).
The second publication of the international art center Kunsthaus Bregenz Arena (Austria).