Sign Systems Studies. Special issue: Semiotics and history: Boris Uspenskij 80
The collected papers contain articles by famous and young scientists on actual problems of philology (cognitive linguistics, lexical semantics, semiotics, pragmatics, text linguistics, stylistics; poetics, literary criticism; translation, intercultural communication). The issue also presents research on foreign language teaching methods. The edition is addressed to linguists, translators, teachers, postgraduates, students and a wide readership.
Performatives are helpful in analyzing and interpreting political actions and events. Speech act and logical studies often reduce performatives to performative utterances. HSE scholars differentiate performative event, performative act and performative utterance. Their mutual interface coupled with reactive speech acts produce nested performative.Structural patterns of nested performatives are established with the help of funnel of performativity fashioned after the funnel of causality.
The article is a review of Lotman Congress which took place at the University of Tartu in February, 2012.
Evolution of informational technologies in 21st century opens a door for a new form of both governance and political struggle. What is technology today, what influence does it have on society, why and how did mental and material changes interlace - these issues are considered in the article.
The paper considers the phenomenon of narrative self-reflexivity as one of the characteristics of modern literary discourse. The definition of this phenomenon and its semiotic and discursive forms are considered as well as the main ways of expression of self-reflexivity in narrative are distinguished, they are metanarrative commentary, metalepsis and mise en abyme.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.