La poesia russa da Puškin a Brodskij. E ora? / Русская поэзия от Пушкина до Бродского. Что дальше? Atti del Convegno Internazionale di Studi Roma, 29-30 settembre 2011. Sapienza Università di Roma
Proceedings of the International Scientific Conference "Russian poetry from Pushkin to Brodsky. What's next?" 29-30 September 2011
The experience of the „translation of the culture“ was based with Rilke on the one hand on western book springs, on the other hand, on his short-term travelling to Russia. The sharp Rilkes translations from Russian is "Das Igorlied" and the writer preserved the structural elements from his poetic language. Rilkes „translation of the culture“ has promoted not only the horizon enlargement of the German-speaking audience, but also has enriched his poetic creating and his cultural experience.
This bibliography is the first complete bibliography in Russian not only of the translations of works of José Martí, but also of critical articles and essays published in anthologies as well as in the press from 1953 till 2013. This material is necessary, first of all,for those who study Marti's art, as well as a wide range of researchers (philosophers, journalists, linguists, sociologists)
The article deals with the first English version of Derzhavin's ode «God», belonging to John Bowring. The comparative analysis of the original and translation using the close-reading technique helps to single out the transformations of Derzhavin's text. The author also makes an attempt to explain the character of each transformation and to show the mechanism of intercultural reception of works of art.
The article contains the contrastive analysis of the ways homeland/motherland is presented in Russian and English poetry. Titles of the poems devoted to their native country become material for this analysis.
The book contains the contributions of the 17th annual conference Franz Werfel-StipendiatInnen.
The reports made at the 4,h Mandelstam Readings held on September 18-22,2011, comprise the best part of the book, but it also includes other articles on the life and works of Mandelstam. The first part called Mandelstam and Poland deals with interactions between the Russian poets life and Polish culture, the second part offers several studies of the poet’s biography, the third part - the Studies - is made up by articles on different aspects of Mandelstam’s textual studies and poetics. The part Reflexions includes materials on Mandelstam’s perception in the Russian cultural history. The book comprises a wide spectrum of voices and different approaches to Mandelstam, from academic ones to poetic ones. Among those who supplied their writing for this collection are Adam Pomorski, Iwona Smolka, Pyotr Mitzner, Anne Faivre-Dupegre, Sergey Vasilenko, Irena Verblovskaya, Aleksandr Zholkovsky, Marietta Chudakova, Leonid Vidgof, Vladimir Mikushevich, Leonid Katsis, Oleg Lekmanov, Natalya Gorbanevskaya, Uriy Freidin, Pavel Nerler, Lada Panova, Roman Timenchik, Boris Frezinsky, Irina Surat, Pavel Uspensky, Anna Yeskova, Natalya Petrova, Heinrich Kirschbaum etc.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.